Mayakovsky's love lyrics. Love lyrics by V.V. Mayakovsky Love lyrics by Mayakovsky read

Yakovlev G.N.

The interest in this topic is inexhaustible.

Mayakovsky is considered primarily a poet-tribune. But he did not refuse to write about love, and he could not help but write about it, but this topic occupies a more modest place in his revolutionary poetry than in other poets. He explained the reason himself:

I will write
and about that
and about it,
but today
not time
love lyas.
I AM
all my
the sonorous power of a poet
I give it to you
attacking class.

But "about this" Mayakovsky did not forget. For him, love was never something secondary, insignificant in life. "Love is the heart of everything," the poet wrote. "If it stops working, everything else dies, becomes superfluous, unnecessary." We can safely say about him that he carefully carried love through his whole life:

If
I am
what did you write if
what
said it was the fault
eyes are heaven,
beloved
my
eyes.
("Good!")

Of course, the work of the post-October Mayakovsky differs from his work before the revolution: he was endowed with an exceptional sense of the era, the pulse of the time. The radical breakdown of the socio-political structure in Russia determined a different outlook of the poet, put forward new moral and ethical problems for him. But there is something unshakable, imperishable in Mayakovsky's love poems of different eras: openness, frankness, sometimes, I would say, loud intimacy ("A Cloud in Pants" and others), a deep and pure feeling that excludes any compromises, calculations dictated by the prosperous "prudence" ("Forever shameful prudence will not come to me," he wrote shortly before his death). But it is precisely on calculation that the bourgeois-philistine "love" is based, bought by people who are ready to "exchange their beloved for money and fame." In his pre-revolutionary works, Mayakovsky rejected such human relations with disgust ("A Cloud in Pants", "Spine Flute", "Man", etc.) and spoke of a lofty and disinterested feeling:

And me
not a single bell is joyful,
except for the ringing of your favorite name.

This is the poem “Lilichka! Instead of writing ”(1916), in which, even after almost seventy years, not a single word seems worn out, stamped, each line will memorize strongly, freshly, and distinctively. In his poems 1915-1916. - and a feeling of tragedy, loneliness, and readiness to self-immolate in the name of love:

And only my pain is sharper - I stand
entwined with fire, on the unburning fire of unthinkable love
("Human"),

and a sea of ​​tenderness:

line your outgoing step with the last tenderness.

("Lilichka! Instead of a letter")

“He was very kind ... unusually soft, very affectionate ... He was harsh only on the stage,” Lilya Yuryevna Brik recalled about the poet.

In the poem "I Love" (1922), cursing the venal "love" of bourgeois society, the poet glorifies liberated love, free from the power of money, but not from the concepts of honor, decency, nobility. The theory of fleeting, “free love” (“glass of water”), which became widespread in the 1920s, is contrasted by Mayakovsky with true love:

Love will not be washed away by quarrels or miles.
Thought out,
verified,
verified.
Solemnly lifting up a line-fingered verse,
I swear -
I love
unchanging and true!

The poem "I Love" appeared during the NEP period, when a stream of low-grade, corny, vulgar or decadently hysterical love poems, designed for the philistine taste, poured into the press. The sentimentally whiny and tenderly lisping names of the collections spoke for themselves: "Sick Love", "Blue Bedroom", "Love Delirium", etc. Mayakovsky was ironic about this:

In your apartment
little world
for bedrooms
grow
curly lyrics.
("I love")
So what: down with sex? Long live the drum? From now and forever? No, of course not:
Varied
our souls.
For battle - thunder
for bed -
whisper.
And we have
for love and for battle -
marches.
Please, under the march
to beloved
slap!
("Frontline of the Frontline")

But the Poet of the Revolution did not confine himself to the narrow little world of apartments, he thought and felt on a large scale. This distinguished him, a great poet and a real person, from some of his fellow writers.

Mayakovsky hated any contamination of poetry by philistine passions, the outpourings of petty souls longing for a "graceful" life and love. The good, but stumbled poets of his time also got it. Mayakovsky criticized Ivan Molchanov and other authors who did not know how to discern the human essence behind the "blue kerchief" and were slipping into the same philistine vulgarity. The poet, a connoisseur of true female beauty, has always been alien to the substitution of deep and beautiful feelings with animal passion or the principle of sale and purchase. Let us recall his poem "Beauties" or "Letter to Tatiana Yakovleva":

I do not like
Parisian love: any female
decorate with silks, stretching, I will doze off,
saying -
tubo
dogs
brutal passion.

For all the publicistic broadcasting, oratorical power of the poetic voice, Mayakovsky is unusually attracted by the emphasized restraint, even the shyness of the titles of his poems "I Love", "About It". In his poems, the personal, the intimate is inextricably intertwined with the public, the dream of the future is expressed, when true love will come to all people:

So that there is no love - the servant of marriages,
lusts,
loaves.
Make a damn bed
getting up from the couch, so that love goes to the whole universe.
("About it")

But if “love is the heart of everything,” then it is clear that it brings both suffering and happiness, causing a complex set of experiences. Bitter, with a touch of self-irony words about love are scattered in various poems by Mayakovsky:

So the skiff has come to love, dear Vladimi Vladimych

("Jubilee"),
You see,
so that a person
with such a biography
would be single
and the unissued one grew old ?!
("Parting"),
I was waiting for love
I am 30 years old.
("Tamara and the Demon")

The humorous poem, imbued with the motive of longing and loneliness, also sounds sad - "Conversation on the Odessa raid of landing ships" Soviet Dagestan"And" Red Abkhazia "(1926). The poet's personal life did not develop the way he wanted ...

A new great love came to Mayakovsky in last years life. In Paris in 1928, he met with Tatyana Yakovleva, who went there in 1925 to visit her uncle, an artist. It was, apparently, an intelligent and beautiful girl (in poetry Mayakovsky calls her a beauty). Obviously, the love was mutual. In letters to her mother in Russia, Tatiana talked about the poet and her relationship with him: “He treated me amazingly ... He called from Berlin, and it was a continuous cry. I receive telegrams every day and flowers every week. He ordered that roses be sent to me every Sunday morning before his arrival. Everything is covered with flowers. It is very cute and, most importantly, so much like him. It was very hard for me when he left. This is the most talented person I have met ”; “Endless kindness and caring ... There are no people of his size here. In his relationship to women (and to me in particular), he is an absolute gentleman ”; “The people I meet are mostly“ secular ”, without any desire to wiggle their brains or with some kind of lingering thoughts and feelings. Mayakovsky spurred me on, made me (I was terribly afraid to seem stupid next to him) to improve mentally, and most importantly, to remember Russia sharply ... I almost returned. He is so colossal both physically and mentally that after him there is literally a desert. "

There is a beautiful legend about the Georgian artist Pirosmanishvili, who showered his beloved with roses, a legend that served as the basis for the famous poem by A. Voznesensky, which became a popular song. But that's a legend. Before us is a wonderful story, revealing the tender, loving, beautiful, vulnerable soul of the poet, whom many imagine as nothing but a stone block, an impenetrable monolith, as an incorrigibly rude and harsh person. For many months Tatyana Yakovleva received baskets of flowers from the Paris rose garden from Mayakovsky, who had left for the USSR. They prepared cute poetic notes that were put into bouquets and baskets, for example:

We send these roses to you so that life appears in the light of pink. Roses will fade ... and then we will plunge chrysanthemums at our feet.

She, Tatyana, was addressed by Mayakovsky with a poetic letter, which was clearly not intended for print and was not published for a long time. It is all the more valuable for us that in this intimate message the poet did not betray himself in anything: he is pure, honest and noble as a loving man and as a citizen of his great homeland.

Whether in a kiss of hands,
whether lips,
in body tremors
close to me
Red
Colour
my republics
too
should
blaze.

This is the beginning of a poem, in which the pain for a country torn by difficulties, and devotion to it, and an appeal to the woman he loves, full of human dignity and undisguised tenderness are inextricably combined (“Come here, go to the crossroads of my big and clumsy hands”, “I don't care about you someday I will take - alone or together with Paris ").

Another poem, also associated with the name of Tatyana Yakovleva, “Letter to Comrade Kostrov from Paris about the essence of love”, has become a textbook. The work is both serious and humorous, and this duality, as noted by the researchers, is already felt in the title: the proximity of the words "Paris" and "love" traditionally evokes the idea of ​​light infatuation, and at the same time, the discussion "about the essence of love" is something like a serious philosophical treatise. But in a half-joking form, Mayakovsky expressed his cherished thoughts in it. He always believed that true (and even more so mutual) love should inspire a person, cause a rise in creative powers. In one of his letters, the poet stated: “Love is life, this is the main thing. Poems, deeds, and everything else unfold from her. " This is what is said in a light, vigorous, life-affirming poem. A detailed analysis of "Letters to Comrade Kostrov ..." is devoted to the article by D. Ustyuzhanin "Hromada - Love". And as always, Mayakovsky is proud of his country, where he is famous as a poet. The lyric poem, replete with vivid comparisons, unique poetic imagery, first of all tells about the depth and power of "simple human" love:

Do not catch
me
on rubbish,
on a passerby
a couple of feelings.
I'm
forever
wounded by love -
I can hardly drag myself.

Based on the works examined, it is easy to conclude that it is impossible to separate Mayakovsky's love lyrics from his civil, political lyrics. The integrity of Mayakovsky's nature, the certainty of his life position led to the indissolubility of personal and social in his work.

In conclusion, I would like to refer to the words of D.I. Pisareva: “... Think all the same, what is lyrics? After all, this is just a public confession of a person? Perfectly. And why do we need a public confession of such a person who, with absolutely nothing but his desire to confess, cannot attract our attention to himself? .. Lyrics is the highest and most difficult manifestation of art. Only first-class geniuses have the right to be lyricists, because only a colossal person can benefit society, drawing its attention to his own private and mental life. "

There is no doubt that Mayakovsky was a colossal personality. But he believed that the time for poetry about love had not yet come, but this era would certainly come. It remains only to regret that Vladimir Mayakovsky did not live to see another time. But what he managed to write about love is of great moral and artistic value.

Keywords: Vladimir Mayakovsky, cubo-futurism, criticism on the work of Vladimir Mayakovsky, criticism on the poetry of Vladimir Mayakovsky, analysis of the poetry of Vladimir Mayakovsky, download criticism, download analysis, free download, Russian literature of the 20th century

LILICHKA!

The smoke escaped the tobacco air.
Room -
chapter in kruchenykhovsky hell.
Remember -
outside this window
first
I stroked your hands, frenzied.
Today you sit here
heart in iron.
Another day -
expel
maybe by scolding.
It won't fit in a muddy hall for a long time
a trembling broken arm in a sleeve.
I'll run out
I will throw the body into the street.
Wild,
go crazy
excised by despair.
Don't need it
expensive,
good,
let us say goodbye now.
Does not matter
my love -
a heavy weight, after all -
hanging on you
wherever she ran b.
Let me scream in the last cry
bitterness of offended complaints.
If the bull is killed by labor -
he will leave,
will lay down in cold waters.
Besides your love,
to me
there is no sea,
but your love cannot even beg for rest with crying.
A tired elephant wants to rest -
the regal one will lie in the burnt sand.
Besides your love,
to me
no sun
and I don’t know where you are and with whom.
If I tortured the poet like that,
he
I would exchange my beloved for money and fame,
and me
not a single bell is joyful,
except for the ringing of your favorite name.
And I won't throw myself into the flight
and I will not drink poison,
and I can't press the trigger over my temple.
Above me
except for your look
the blade of not a single knife is imperious.
You will forget tomorrow
that you were crowned
that he burned out the soul blooming with love,
and hectic days a swept carnival
will ruffle the pages of my books ...
Are my words dry leaves
make you stop
breathing greedily?

Give at least
cover with the last tenderness
your outgoing step.

Listen!

Listen!
After all, if the stars are lit -

So - someone wants them to be?
So someone calls these spit a pearl?
And, straining
in blizzards of midday dust,
rushes to god,
afraid that he is late
crying
kisses his sinewy hand,
asks -
so that there must be a star! -
swears -
will not bear this starless torment!
And then
anxious walks
but outwardly calm.
Says to someone:
“Isn't it okay for you now?
Not scary?
Yes?!"
Listen!
After all, if the stars
light up -
means - someone needs it?
It means - it is necessary,
so that every evening
over the rooftops
at least one star lit up ?!

Output

Will not wash away love
no quarrel,
not a mile.
Thought out,
verified,
verified.
Solemnly lifting up a line-fingered verse,
I swear -
I love
unchanging and true!

Attitude to the young lady

This evening decided -
Shouldn't we be lovers? -
Dark,
Nobody will see us.
I bent over really,
And indeed
I AM,
Leaning over
Told her
As a kind parent:
“Passion is a steep cliff -
Please,
Move away.
Move away,
Please".

Letter to Tatyana Yakovleva

You are the only one for me
growth on a par,
stand by your side
with eyebrow eyebrow,
give
about this
important evening
tell
in a human way.
Five hours,
and from now on
poem
of people
dense pine forest,
extinct
inhabited city,
I only hear
whistle dispute
trains to Barcelona.
In the black sky
lightning stride,
thunder
swear
in a heavenly drama, -
not a thunderstorm,
and this
simply
jealousy
moves mountains.
Silly words
do not believe in raw materials,
do not be afraid
this shaking, -
I will bridle
I will humble
the senses
offspring of the nobility.
Passion measles
will come off as a scab,
but joy
inextinguishable
I will be long
I'll just
I speak in poetry.
Jealousy,
wives,
tears…
well them! -
the eyelids will swell
fit Via.
I'm not myself
and I
jealous
for Soviet Russia.
Saw
on the shoulders of the patch,
their
consumption
licks a sigh.
What,
we are not to blame -
one hundred million
was bad.
We
now
to such tender -
sports
straighten not many, -
you and us
in Moscow we need
lacks
long-legged.
Not for you,
in the snow
and in typhus
walking
with these feet,
here
to caress
give them out
for dinner
with oilmen.
Don't you think
squinting just
from under the straightened arcs.
Go here,
go to the crossroads
my big
and clumsy hands.
Do not want?
Stay and winter
and this
insult
into the total account, we will put it down.
I don't care
you
someday I will take -
one
or together with Paris.

Love

Peace
again
overgrown with flowers,
the world
spring view.
And again
stands up
unresolved issue -
about women
and about love.
We love the parade
an elegant song.
We speak beautifully
going to the rally.
But often
under this,
moldy,
old, old little house.
Sings at the meeting:
“Forward, comrades ...
And at home,
forgetting about the solo aria,
yelling at his wife,
that cabbage soup is not in fat
and what
cucumbers
poorly salted.
Lives with another -
kiosk wide,
linen -
shanta diva.
But with a thin stocking
reproaches his wife:
- You compromise
before the team. -
They climb to anyone
would be with legs.
Five women
will change
during the day.
We have, they say,
freedom,
not monogamy.
Down with philistinism
and prejudice!
From flower to flower
a young dragonfly
flutters
flies
and rushes about.
One to him
in the world
seems evil -
this is
alimony.
He's glad to die
saving a third,
three years
glad to litigate:
and I, they say, not me,
and she's not mine
and I generally
castrate.
And they love
so be
faithful nun -
tyrannite
jealousy
any trifle
and measures
love
for revolving caliber,
wrong
in the back of the head
the bullet is empty.
Fourth -
hero of a dozen battles,
and so,
what is dear
running
scared
from wife's shoes,
Mostorg's simple shoes.
And the other
arrow of love
otherwise marks
confuses
- a kind of child -
catch
beloved
into romance networks
with a rise
subordinate according to the tariff scale ...
On the female line
neither is the heavenly tabernacle for you.
Unpretentious boy
picked up
lady.
He work,
and her
not hold back in any way -
running after flare
every boulevard.
Well,
sit
and crying
Neil Nilsya.
Look! -
Groom!
- For whom am I, dear, married?
For yourself -
or for them? -
Parents
and children of this sort:
- What are the parents?
And we
no worse, they say! -
Are engaged
love as a sport,
not having time
fit into the Komsomol.
And further,
to the village,
life without movement -
live as before,
year after year.
That's the same
get married
and get married
how do they buy
working cattle.
If it will be
last like this
year after year,
then,
I'll tell you straight,
won't be able to
disassemble
and the marriage code,
where are the father and daughter,
which is a son and a mother.
I'm not for the family.
On fire
and in the blue smoke
burn out
and this old piece,
where were hissing
mother goose
and children
guard
father gander!
No.
But we live in a commune
tight,
in hostels
the skin of the bodies becomes dirty.
Necessary
voice
raise for cleanliness
relations of our
and love affairs.
Do not turn away -
they say, I'm not married.
US
no pop holds gibberish.
Necessary
tie
and the life of men and women
in a word,
uniting us:
"Comrades".

Love lyrics V.V. Mayakovsky.

Love - an eternal theme - runs through all the work of Vladimir Mayakovsky, starting with early poems and ending with the last unfinished poem "Unfinished". Referring to love as the greatest good, capable of inspiring to work, to work, Mayakovsky wrote: “Love is life, this is the main thing. Poems, deeds, and everything else unfold from her. Love is the heart of everything. If it stops working, everything else dies off, becomes superfluous, unnecessary. But if the heart works, it cannot fail to manifest itself in everything. " He is characterized by the breadth of the lyrical perception of the world. The personal and the public merged in his poetry. And love - the most intimate human feeling - in Mayakovsky's poems is always associated with the social feelings of the poet-citizen.

The whole life of V.V. Mayakovsky with all its joys and sorrows, despair, pain - in his poems. The poet's works tell us about his love, about when and what it was. In early poems, the mention of love occurs twice: in the cycle of lyric poems of 1913 "I" and the lyric poem "Love". They speak of love out of connection with the personal experiences of the poet.

Many addressees of Vladimir Mayakovsky's lyrics are known - Lilia Brik, Maria Denisova, Tatyana Yakovleva and Veronika Polonskaya.

In the poem "A Cloud in Pants" the poet talks about his unrequited love at first sight to the young Maria Denisova, whom he fell in love with in 1914 in Odessa. He described his feelings as follows:

Mama!

Your son is perfectly ill!

Mama!

His heart is on fire.

This tragic love is not invented. The poet himself points out the veracity of those experiences that are described in the poem:

Do you think it's raving about malaria?

It was,

was in Odessa.

“I'll be there at four,” said Maria.

But a feeling of exceptional strength brings not joy, but suffering. M. Denisova and V. Mayakovsky parted ways. Then he exclaimed: "You cannot love!"

But Mayakovsky could not help but love. No more than a year has passed and the poet falls in love with Lilya Brik. Their relationship began with the fact that Mayakovsky dedicated a poem to her ("A Cloud in Pants"), which he was inspired by another (Maria Denisova), and ended with the fact that he called her name in a suicide note. The relationship between Vladimir Mayakovsky and Lily Brik was very difficult, many stages of their development were reflected in the works of the poet. His feelings are reflected in the poem "The Spine Flute", written in the fall of 1915. And again, not the joy of love, but despair sounds from the pages of the poem:

Versts of streets with sweeping steps mnu,

Where will I go, this hell is melting!

What heavenly Hoffmann

Are you invented, damn it ?!

The poem "Lilichka! Instead of a letter" can be indicative of these relations. It was written in 1916, but saw the light for the first time only in 1934. How much love and tenderness for this woman are hidden in the lines:

Besides the sea of ​​your love,

to me

there is no sea,

but your love cannot even beg for rest with crying.

A tired elephant wants to rest -

the regal one will lie in the burnt sand.

Besides your love,

to me

no sun

and I don’t know where you are and with whom.

In 1922, the poet wrote the poem "I Love" - ​​his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, therefore he was sure:

Will not wash away love

no quarrel,

not a mile.

Thought out,

verified,

verified.

They solemnly raised the line-fingered verse,

I swear -

I love

unchanging and true!

Here the poet reflects on the essence of love and its place in human life. For sale love, Mayakovsky opposed true, passionate, faithful love.

In February 1923, the poem About It was written. Here lyric hero appears again suffering, tormented by unsatisfied love. But the poet's chivalrous character does not allow casting even the slightest shadow on the image of his beloved:

- Look,

even here dear

verses smashing everyday life horror,

protecting your beloved name,

you

in my curses

go around.

1924 was a turning point in relations between Mayakovsky and Lilya Brik. A hint of this can be found in the poem "Jubilee", which was written for the 125th anniversary of the birth of Pushkin, on June 6, 1924:

I AM

now

free

from love

and from posters.

Skin

jealousy

bear

lies

claw.

At the beginning of 1929, the "Young Guard" magazine published "Letter to Comrade Kostrov from Paris about the essence of love." From this poem it is clear that a new love has appeared in the poet's life, that “the frozen motor is again put into work in the heart”. It was Tatyana Yakovleva, whom Mayakovsky met in Paris in 1928. The poems dedicated to her "Letter to Comrade Kostrov ..." and "Letter to Tatyana Yakovleva" are imbued with a happy feeling of great, true love.

The poem "Letter to Tatiana Yakovleva" was written in November 1928. Mayakovsky's love was never just a personal experience. She inspired him to struggle and creativity and was embodied in poetic masterpieces imbued with the pathos of the revolution. Here the poet wrote about it like this:

Whether in a kiss of hands,

whether lips,

In body tremors

close to me

Red

Colour

my republics

too

should

blaze.

The poet had to endure many grievances. He didn’t want Tatyana Yakovleva’s refusal to come to him in Moscow “to string together at a common expense”. The confidence that love will ultimately prevail is expressed in the words:

I don't care

you

someday I will take -

one

or together with Paris.

Mayakovsky was very worried about the separation, every day he sent her letters and telegrams, was looking forward to a trip to Paris. But they were no longer destined to meet: Mayakovsky was denied travel to Paris in January 1930.

In May 1929, Mayakovsky was introduced to Veronika Vitoldovna Polonskaya. Mayakovsky loved beautiful women... And although his heart at that time was not free, Tatyana Yakovleva firmly seized him, but he was drawn to Polonskaya, and he began to often meet with her. Shortly before his death, Mayakovsky wrote the poem "Unfinished" with the following lines:

For the second,

you must have gone to bed

Maybe

and you have this

I'm not hurrying,

And by the lightning of telegrams

i don't need

you

wake up and disturb ...

Veronica Polonskaya was the last person to see Mayakovsky alive. It was to her that the poet proposed to her a minute before the fatal shot. In his dying letter, Mayakovsky wrote:

As they say -

"the incident is over",

Love boat

crashed into everyday life.

I count with life

and there is no need for a list

Mutual pains

troubles and grievances.

Happy to stay.

Vladimir Mayakovsky.

V. Mayakovsky "About it". Cover by Alexander Rodchenko. Moscow, 1923.

In 1922, the poet wrote the poem "I Love" - ​​his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, therefore he was sure:

Will not wash away love
no quarrel,

not a mile.
Thought out,
verified,
verified.

Tatiana Yakovleva, 1932, Paris.

Here the poet reflects on the essence of love and its place in human life. For sale love, Mayakovsky opposed true, passionate, faithful love.
But then again in the poem "About This" the lyrical hero appears to be suffering, tormented by love. This was a watershed moment in their relationship with Brick.
That is, you can see how closely the feelings of the poet and the feelings of the lyric hero are closely intertwined in Mayakovsky's work.
At the beginning of 1929, the "Young Guard" magazine published "Letter to Comrade Kostrov from Paris about the essence of love." From this poem it is clear that a new love has appeared in Mayakovsky's life, that “a frozen motor has been put into work again”. It was Tatyana Yakovleva, whom the poet met in Paris in 1928. Poems dedicated to her "Letter to Comrade Kostrov ..." and

The theme of love, perhaps, has already become traditional for Russian literature. It is this theme that is the very chest of constant inspiration and ideas, pushing famous authors to create new works of art. Absolutely all poets saw something personal in this great and grandiose.

Mayakovsky's love is a phenomenon that absorbs a lot of concepts, of course, for him it is not just a separate part or genre in poetry, but the very meaning and essence of poetry, which contains something personal and sacred, which passes into different works of the author.

Mayakovsky's love lyrics

Life with all its joys and sorrows, hopes and despair is in his poems. The poet's works telling about his life cannot but touch on the theme of love.

The poet believed that you can only write about what he experienced himself, therefore all his works are largely autobiographical. Although the earliest poems about love (“I”, “Love”, the tragedy “Vladimir Mayakovsky”) have little to do with the poet's personal experiences. Later, Mayakovsky's famous poem "" appears, in which the poet talks about his unrequited love, which caused him excruciating, unbearable pain

Mama!

Your son is perfectly ill!

Mama!

His heart is on fire.

This tragic love is not invented. David Burliuk, who performed together with Mayakovsky in Odessa in 1914, says in his memoirs that Mayakovsky's first love was Maria, whom he met in Odessa ("It was, it was in Odessa ..")

From some sources it is known that an obstacle arose between Mayakovsky and Maria, one of those that were generated by the then social life, social conditions based on the inequality of people, on the domination of material calculations. In the poem, this is given a very short explanation in the words of Mary herself:

You entered

sharp, like “here!”,

tormenting suede gloves,

said:

“You know -

I'm getting married".

The main and brightest muse of Vladimir Mayakovsky is Lily Brik, with whom Mayakovsky fell in love a year later. The relationship between the poet and Lily was very difficult, many stages of their development were reflected in the poet's works ("Lilichka! Instead of writing", "Spine flute").

In 1922, the poet wrote the poem "I Love" - ​​his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, therefore he was sure:

Will not wash away love

no quarrel,

not a mile.

Thought out,

verified,

verified.

Here the poet reflects on the essence of love and its place in human life. For sale love, Mayakovsky opposed true, passionate, faithful love.

But then again in the poem "About This" the lyrical hero appears to be suffering, tormented by love. This was a watershed moment in their relationship with Brick.

That is, you can see how closely the feelings of the poet and the feelings of the lyric hero are closely intertwined in Mayakovsky's work.

At the beginning of 1929, the "Young Guard" magazine published "Letter to Comrade Kostrov from Paris about the essence of love." From this poem it is clear that a new love has appeared in Mayakovsky's life, that “a frozen motor has been put into work again”. It was Tatyana Yakovleva, whom the poet met in Paris in 1928. The poems dedicated to her "Letter to Comrade Kostrov ..." and "Letter to Tatyana Yakovleva" are imbued with a happy feeling of great, true love. But this relationship ended tragically.

His last love was Veronica Polonskaya. Shortly before his death, Mayakovsky wrote the poem "Unfinished", which, most likely, was dedicated to her. Polonskaya was the last person to see Mayakovsky alive.

It is his sincere and wonderful poems about love that help Mayakovsky-man to understand.

Analysis of the poem "Love" Vladimir Mayakovsky

The girl shyly wrapped herself in a swamp,

ominously frog motives spread,

a reddish someone was hesitating in the rails,

and the locomotives were passing by in curls.

Into the cloudy vapors through the sunshine

the rage of the wind-blown mazurka crashed,

and here I am - a hot July sidewalk,

and the woman throws kisses - butts!

Leave the cities, stupid people!

and go naked pouring in the sun

drunken wines in fur-breasts,

rain-kisses on embers-cheeks.

In 1913, a collection of "the only futurists in the world", called "The Dead Moon", was published. Among others, David Burliuk, Velimir Khlebnikov, Alexander Kruchenykh took part in its creation. Several of Mayakovsky's poems were also published in the almanac, including "Love" ("The girl shyly wrapped herself in a swamp ..."), which subsequently underwent several editions.

The work is distinguished by the deliberate complexity of the images. In it, the poet contrasts life city ​​life suburban, obviously giving preference to the second. Closeness to nature is a somewhat dangerous thing. It is not for nothing that the girl wraps herself in a swamp fearfully, and the expanding frog motifs are called ominous. Most likely, these vivid images are the result of Vladimir Vladimirovich's walks in the Kuntsevsky park near Moscow.

They are also inspired by locomotives stubbornly passing in curls, a reddish someone swaying in the rails. The second stanza of the poem takes the readers from suburban reality to urban reality. In the new location, with love, things are so bad that the woman kisses as if she is throwing cigarette butts on the sidewalk. Add to this the sunshine and frenzy of the wind mazurka - you must admit that the picture of a city languishing under the summer heat is not very attractive.

The third quatrain begins with an emotional appeal: "Leave the cities, stupid people!" The lyrical hero is sure that happiness in love must be sought elsewhere - outside the city, where a person becomes closer to nature, respectively, to his origins, where it is not so noisy and the air is cleaner. Romantic relationships there are of a completely different nature. Kisses become akin not to dirty cigarette butts, but to saving rain that cools burning cheeks and quenches the thirst of the heart.

"Love" ("A girl shyly wrapped herself in a swamp ...") is considered the first appeal to intimate lyrics. In this poem there is still no bright heroine, the prototype of which will later become the main love in the poet's life - Lilya Yurievna Brik. Vladimir Vladimirovich will get to know her a little later - two years after the creation of the text in question. Moreover, in "Love" nothing really is said about the feelings of the hero as such. In fact, it turns out that the love theme becomes for Mayakovsky only a pretext for opposing the existence of a person in a city to suburban life.

"Listen" V. Mayakovsky analysis of the poem

Listen!

After all, if the stars are lit -

So - someone wants them to be?

Means - someone calls these spit

pearl?

And, straining

in blizzards of midday dust,

rushes to god,

afraid that he is late

kisses his sinewy hand,

so that there must be a star! -

swears -

will not bear this starless torment!

anxious walks

but outwardly calm.

Says to someone:

“Isn't it okay for you now?

Not scary?

Listen!

After all, if the stars

light up -

means - someone needs it?

It means - it is necessary,

so that every evening

over the rooftops

at least one star lit up ?!

The creativity of V.V. Mayakovsky falls on the period Silver Age poetry. In the poems of Mayakovsky, from the first lines, one can feel the challenge to society. But the poem "" refers to the poet's love lyrics. After reviewing the author's work, it is not immediately clear what he wanted to say. Nevertheless, it carries a hidden deep meaning.

“Listen” was written in 1914. This period is listed in history as the beginning of the First World War and the coup in Russian Empire... Mayakovsky was a supporter of the Revolution in the country, he considered it a discovery for new opportunities for the younger generation.

Before the start of the coup, Mayakovsky was a member of the Futurist community, who called for a departure from previous preferences in literature and creativity. They considered it necessary not to read more such authors as Pushkin, Lermontov,. “Budetlyans” (futurists) emphasized that society needs more expressive and outrageous young people who know what is necessary for a happy future.

The work "Listen" is not like other masterpieces of the poet, it looks like a question and a plea addressed to society. In it, the author tries to find the meaning of life - this is the main theme of the poem. It seems to be appealing to an invisible listener. The poet reasons that "someone" lights the stars in the sky, and he controls our destiny, because he needs it.

"Listen" is a striking work from the early Mayakovsky, the author wrote it at the age of 20. In the verse, one can feel the uncertainty of the poet in life, his non-recognition and misunderstanding by society.

It is not just that the symbol of the "star" is used here, for the author the guiding star was a life credo, a muse for creativity. Mayakovsky means by the lighted stars in the sky new luminaries of poetry, including himself. And someone decides whether another star in the sky will light up, that is, whether the society and leading positions will accept the work of the newly-made author. Here the poet touches on the theme of God, from whom he asks for another star to light up in the sky, otherwise he will not endure this "starless torment." The importance of the recognition of the poet by society is very clearly expressed here, which carries the main meaning of existence for him.

The poem reveals the theme of loneliness, which overwhelmed the poet's soul, tormented him from the inside. He says that for someone the stars are just "spit". But for him, a hidden hero who does not have a clear definition in the plot, they are the whole world. The author calls them pearls. In this work, the feelings of lyricism and tragedy of the life of V.V. Mayakovsky are intertwined.

The poem is written in a white style and with a bright rhythm, which is inherent in the work of Mayakovsky. It was created with the use of vivid epithets and metaphors, the most notable is the comparison of stars with "spitters" and pearls in one stanza.

The verse begins with an exclamation that occupies the ear of the reader, followed by several philosophical questions. The reader acts here more in the role of a listener. Then the plot itself unfolds, in which someone asks for the appearance of a new star in the sky from God himself. The author uses the repetition of the opening lines at the end of the poem, but in the finale these words sound more confident and life-affirming. This technique is called ring composition.

Each reader can interpret the poem in his own way. The pain and cry of the poet's soul will still be present in it. With this work, the author tried to reach out to the hearts of listeners, to achieve universal recognition and understanding of his avant-garde and modernist creativity.

Mayakovsky's love lyrics in 9-11 grade

Once Vladimir Mayakovsky said about himself: “I am a poet. This is what makes it interesting. " In my opinion, he remains an original and innovative artist to this day. Mayakovsky entered Russian poetry as a singer of the revolution, as a herald of new social relations. Most of his poems are of a patriotic character. The lyrical hero of Mayakovsky is a citizen who strives for a better future. They do not accept indifference and inaction.

As for love, the poet has a special attitude to this feeling. Mayakovsky believes that love is always suffering. So, in the poem "To everything" the poet talks about the past feeling, about the emotional experiences of the lyric hero, who sincerely believed his beloved:

Love!

Only in my

sore

the brain was you!

Silly comedy stop the move!

See -

tearing off the toy armor

the greatest Don Quixote!

The lyrical hero, in my opinion, is romantic in his feelings. But frustration and inner suffering make him cruel and cynical. The pain of the soul is so strong that Mayakovsky ceases to believe in earthly love:

Give

any

beautiful,

young, -

I will not waste my soul,

rape

and in my heart I will spit a mockery of her!

Human love, according to the poet, is impossible in the material and superficial world. In his poems, Mayakovsky draws the lofty ideal of love-creation, which enriches a person, makes him better and cleaner. According to the author, a person cannot be happy for himself alone, even in such an exceptional feeling.

In the further work of Mayakovsky - in his poem "A Letter about the Essence of Love" - ​​the idea of ​​the creative power of love-competition with the world was transformed into the famous stanza:

Be in love-

it is with a sheet,

torn insomnia,

break down,

jealous of Copernicus,

his,

and not the husband of Marya Ivanna,

considering

his rival.

A special place in the work of Mayakovsky is occupied by the poem "Lilichka! Instead of writing. " Here the author shows unrequited love, which is the happiness and tragedy of the lyrical hero. This work becomes a kind of revelation of the character. It seems to me that this poem is very bright and sincere. It is written in the form of a monologue:

Does not matter

my love -

a heavy weight, after all -

hanging on you

wherever she ran b.

Let me scream in the last cry

Bitterness of offended complaints.

This feeling is so strong that the lyric hero does not see the meaning of life and the beauty of the surrounding world without a loved one:

Besides your love,

no sun

And I don't know where you are and with whom.

In his feelings, the lyric hero is an ordinary person, and no longer a poet. Before love, all people are equal: strong and defenseless at the same time. Even creativity is not able to save the hero from mental anguish. Only the realization that the beloved is happy, although not next to him, makes the life of the lyrical hero meaningful and meaningful.

It seems to me that Mayakovsky's love poetry cannot be compared with the love lyrics of other poets, since he has his own special feeling of this problem. Love, according to Mayakovsky, is possible only in an ideal world, and in modern disharmony, where only the desire for the material reigns, it does not exist. But the human soul, as a manifestation of the ideal world, is still drawn to this feeling.

Analysis of the poem "Letter to Tatyana Yakovleva" V. Mayakovsky

You are the only one for me

growth on a par,

stand by your side

with eyebrow eyebrow,

important evening

tell

in a human way.

Five hours,

and from now on

dense pine forest,

inhabited city,

I only hear

whistle dispute

trains to Barcelona.

In the black sky

lightning stride,

in a heavenly drama, -

not a thunderstorm,

jealousy

moves mountains.

Silly words

do not believe in raw materials,

do not be afraid

this shaking, -

I will bridle

offspring of the nobility.

Passion measles

will come off as a scab,

but joy

inextinguishable

I will be long

I'll just

I speak in poetry.

Jealousy,

the eyelids will swell

fit Via.

for Soviet Russia.

on the shoulders of the patch,

licks a sigh.

we are not to blame -

one hundred million

was bad.

to such tender -

straighten not many, -

in Moscow we need

lacks

long-legged.

with these feet,

give them out

with oilmen.

Don't you think

squinting just

from under the straightened arcs.

Go here,

go to the crossroads

my big

and clumsy hands.

Do not want?

Stay and winter

insult

into the total account, we will put it down.

I don't care

someday I will take -

or together with Paris.

Lyric poetry of Vladimir Mayakovsky is very original and distinguished by special originality. The fact is that the poet sincerely supported the ideas of socialism and believed that personal happiness cannot be complete and all-embracing without social happiness.

These two concepts were so closely intertwined in Mayakovsky's life that for the sake of love for a woman he would never betray his homeland, but on the contrary he could have done very easily, since he could not imagine his life outside Russia. Of course, the poet often criticized the shortcomings of Soviet society with his inherent harshness and straightforwardness, but at the same time he believed that he was living in the best country.

In 1928, Mayakovsky traveled abroad and met in Paris with the Russian emigrant Tatyana Yakovleva, who in 1925 came to visit her relatives and decided to stay in France forever. The poet fell in love with a beautiful aristocrat and invited her to return to Russia as a legal wife, but was refused. Yakovleva reservedly perceived Mayakovsky's advances, although she hinted that she was ready to marry the poet if he refused to return to his homeland.

Suffering from an unrequited feeling and from the realization that one of the few women who understands and feels him so well is not going to part with Paris for him, Mayakovsky returned home, after which he sent his beloved a poetic message - sharp, full of sarcasm and, at that same time, hope.

This work begins with phrases that love fever cannot overshadow feelings of patriotism, since “the red color of my republics should also flare”, developing this theme, Mayakovsky emphasizes that he does not like “Parisian love”, or rather, Parisian women, who, behind outfits and cosmetics, skillfully disguise their true essence.

At the same time, the poet, referring to Tatyana Yakovleva, emphasizes: "You alone are my height, stand next to an eyebrow," considering that a native Muscovite who has lived in France for several years compares favorably with cutesy and frivolous Parisians.

Trying to persuade the chosen one to return to Russia, Mayakovsky tells her without embellishment about the socialist life, which Tatyana Yakovleva is so persistently trying to erase from her memory. After all, the new Russia is hunger, disease, death and poverty, veiled under equality.

Leaving Yakovleva in Paris, the poet feels an acute feeling of jealousy, because he understands that this leggy beauty has enough fans even without him, she can afford to travel to Barcelona to see Chaliapin's concerts in the company of the same Russian aristocrats. However, trying to formulate his feelings, the poet admits that "I am not myself, but I am jealous of Soviet Russia." Thus, Mayakovsky is much more gnawed at the resentment that the best of the best are leaving their homeland than the usual male jealousy, which he is ready to bridle and humble.

The poet understands that apart from love, he has nothing to offer a girl who amazed him with her beauty, intelligence and sensitivity. And he knows in advance that he will be rejected when he turns to Yakovleva with the words: "Come here, to the crossroads of my big and clumsy hands." Therefore, the finale of this loving-patriotic message is filled with caustic irony and sarcasm.

The poet's tender feelings are transformed into anger when he addresses his beloved with a rather rude phrase "Stay and winter, and we will put this insult at the general expense." By this, the poet wants to emphasize that he considers Yakovleva a traitor not only in relation to herself, but also to her homeland. However, this fact does not in the least cool the romantic fervor of the poet, who promises: "I'll take you all early one day, alone or together with Paris."

It should be noted that Mayakovsky never managed to see Tatyana Yakovleva again. A year and a half after writing this letter in verse, he committed suicide.

Mayakovsky, analysis of the poem "At the top of his voice"

Loves? does not love? I break my hands

scatter breaking

so they tear it up and let it go

corollas of oncoming daisies

let the gray hair be revealed by the haircut and shave

Let the silver of years call

I hope I believe it will never come

shameful prudence to me

For the second

you must have gone to bed

Maybe

and you have this

I'm not hurrying

And by the lightning of telegrams

i don't need

wake up and disturb

the sea goes back

the sea goes to sleep

As they say the incident is flawed

With you we count

And there is no need for a list

mutual pain of troubles and grievances

You must have gone to bed for the second time

In the night Milchway with a silver eye

I'm in no hurry and lightning telegrams

I don't need to wake you up and disturb you

as they say the incident is messed up

love boat crashed on life

With you we are in the calculation and there is no need for a list

mutual pain of troubles and grievances

Look how quiet in the world

The night overlaid the sky with a starry tribute

at these hours you get up and say

centuries of history and the universe

I know the power of words I know the words alarm

They are not the ones the lodges applaud

From such words the coffins are torn

walk with four of your oak legs

It happens to be thrown out without printing without publishing

But the word rushes by pulling up the girths

the centuries are ringing and the trains are crawling

lick poetry calloused hands

I know the power of words Looks trifling

A fallen petal under the heels of a dance

But a man with a soul with his bones

Strictly speaking, Mayakovsky's poem "Out loud" is not such: the poet wrote only the introduction, but critics and literary critics consider it a full-fledged work. Brief analysis“Out loud” according to the plan will help 11th grade students understand why literary critics think so, as well as deeper appreciate the artistic perfection of the work. In a literature lesson, this analysis can be used both as the main one and as additional material.

The work was written shortly before the suicide of its author. This was the period when Mayakovsky was preparing for a special exhibition dedicated to the twentieth anniversary of his work. But this seemingly joyful time, in fact, turned out to be gloomy for him - there was a lot of criticism, many colleagues and critics made harsh statements about him.

Apparently, this gave rise to a desire in Vladimir Vladimirovich to talk directly with his reader. He conceived a grandiose work - the poem "At the top of his voice", but wrote only its introduction. He could not or did not want to continue working on the work: the verse with the subtitle "The first introduction to the poem" was completed in January 1930, and already in April a tragic suicide occurred.

The work is called a poem only by tradition, but this is quite significant.

At the end of his life (although it is not known whether the poet was planning his own suicide even then) Mayakovsky once again turned to the important topic of creativity - more precisely, its purpose and place in the creative process. He chooses a difficult path - to tell only the truth about himself and the time in which he lives. And he says - harshly and without excessive politeness.

In his work, Vladimir Vladimirovich acts both as an author and as a lyrical hero. He promotes the rejection of art as an aesthetic approach, talks about the social component of poetry and even calls himself a "sewer-water truck", that is, on the one hand, he gives people what they need, on the other hand, he often deals with the most unsightly side of reality ...

The main idea of ​​the poem is to accurately express the creative credo of Mayakovsky: poetry is work, it should motivate people, there is no place for beauty, it is a part of life, everyday life.

The poet says that there is poetry, which is closed in its bourgeoisie like flowers in a master's garden. It is created simply for the sake of beautiful words and has neither social burden, nor the right to tell people how to live and what to do. But his poetry is not like that, it is a weapon. And the poet is her servant-commander, leading the words to the solemn military parade.

At the same time, he is not looking for awards and recognition, his army may even completely perish. The main thing is victory, namely, a harmonious, healthy and just society.

Although “Out of the Voice” refers to such a genre as a poem somewhat conditionally, the work nevertheless turned out to be quite epic. In this case, the main thing is the scale of thought, which, although embodied in a poem that is small in comparison with the poem, does not lose its power and grandeur from this.

Using the tonic system of versification, Mayakovsky, as usual, focuses on rhythm and verbal stress. He singles out those words that, in his opinion, best express the thought and allow expressing the rebellious moods and vivid emotions overwhelming the poet.

In addition to the neologisms characteristic of his poetic word, Vladimir Vladimirovich also uses familiar artistic paths, making them bright and harsh. So, the work uses:

Epithets - "an old but formidable weapon", "poems are lead-heavy", "gaping titles."

- “a swarm of questions”, “tuberculosis spit out,” “the throat of one's own song,” “line front”.

Comparisons - "poetry is a capricious woman", "we each opened Marx how we open the shutters in our own house."

Thanks to them, the poem seems to be carved into eternal granite, preserving the memory of Mayakovsky the poet.