Mayakovsky on rubbish summary. "About rubbish", analysis of the poem by Mayakovsky. "About rubbish" - a description of life

Satire Mayakovsky (based on the poems "Prozosatavshie", "About rubbish")

Vladimir Vladimirovich Mayakovsky is a poet who has always responded to the events of our time. For him, there were no topics to which poetry could not respond. Everything was the subject of his attention, if it contributed to the prosperity of the Motherland. In the twenties, bureaucracy swept over the bureaucracy, and Mayakovsky responded to this evil with the poem "Lost Sitting".

Slightly the night will dissipate

I see every day:

who is in the heads,

who is in whom,

who is watered,

who is in the gap,

the people are dispersed to institutions.

The satirical generalization contained in this work testified to the keenness of the author's political vision, to his increased skill. The satirical power of Mayakovsky's poem is born from an organic alloy of realistic life situation with hyperbole, grotesque, fantasy of individual pictures and images. The usual picture of employees coming to work in institutions - and a rain of papers, from which they choose "from a hundred - the most important!" - for the next meeting. The meetings follow one after the other, one more absurd than the other: the theater department meets with the head office of the stud farm, the purpose of another meeting is to resolve the issue of “buying a bottle of ink by the Gupcooperative”, and finally, the already completely unimaginable meeting “A-be-ve-ge-de e-same-ze-ko-ma ”. Lyrical hero, seeking an audience "from the time she", is sincerely indignant, he is seized with rage. He bursts into an avalanche at the next meeting:

And I see:

half of the people are sitting.

O devilry!

Where is the other half?

The hero's mind went crazy from this "terrible picture." And suddenly:

“She is in two meetings at once.

In a day

meetings for twenty

we need to keep up.

Inevitably, we have to split in two ”.

The senselessness and hopelessness of this vanity is especially sharply and convincingly emphasized by this fantastic picture, which arose from the vernacular turn of phrase “not to be torn apart”. The poem ends with a lyrical conclusion, precise and convincing:

Oh at least

yet

one meeting

regarding the eradication of all meetings!

The poem "About rubbish" is also close to the theme of this work. In the center of it is the image of a bourgeoisie who has wedged himself into a Soviet institution and cares only about his own well-being. The characterization of the “filth”, directly opposed to the real heroes of the revolution, ends with a fantastic picture: as if Marx himself raised an indignant voice from the portrait against the philistine life:

“The threads of the philistine revolution were entangled.

The philistine life is more terrible than Wrangel.

Quicker

roll the heads of the canaries -

so that communism

was not beaten by canaries! "

The theme of the struggle against the philistine for a healthy socialist life was raised by the poet in a number of poems.

Mayakovsky's satire is one of the important constituent elements of his poetry. Its peculiarity is the lyrical passion of the patriotic poet in exposing what is incompatible with the idea of ​​a high rank of a citizen, which prevents the building of a new state.

The storms of revolutionary bosoms have calmed down.

The Soviet mishmash was covered with mud.

And got out

from behind the RSFSR

murlo

tradesman.

Sharply and mercilessly Mayakovsky castigates "eternal" evil

A poet who has always responded to the events of our time. For him, there were no topics to which poetry could not respond. Everything was the subject of his attention, if it contributed to the prosperity of the Motherland. In the twenties, bureaucracy swept over the bureaucracy, and Mayakovsky responded to this evil with the poem "Lost Sitting".

Slightly the night will dissipate

I see every day:

who is in the heads,

who is in whom,

who is watered,

who is in the gap,

the people are dispersed to institutions.

The satirical generalization contained in this work testified to the keenness of the author's political vision, to his increased skill. The satirical power of Mayakovsky's poem is born from an organic fusion of a realistic life situation with hyperbole, grotesque, fantasy of individual paintings and images. The usual picture of employees coming to work in institutions - and a rain of papers, from which they choose "from a hundred - the most important!" - for the next meeting. Meetings follow one after another, one more absurd than the other: the theater department meets with the head office of the stud farm, the purpose of another meeting is to decide on the issue of “buying a bottle of ink by the Gupcooperative”, and finally, the already completely unimaginable meeting “A-be-ve-ge-de- e-same-ze-ko-ma ". The lyrical hero, seeking an audience "from the time she", is sincerely indignant, he is seized with rage. He bursts into an avalanche at the next meeting:

half of the people are sitting.

O devilry!

Where is the other half?

The hero's mind went crazy from this "terrible picture." And suddenly:

“She is at two meetings at once.

meetings for twenty

we need to keep up.

Inevitably, we have to split in two ”.

The senselessness and hopelessness of this fuss is especially sharply and convincingly emphasized by this fantastic picture, which arose from the vernacular phrase "not to be torn apart." The poem ends with a lyrical conclusion, precise and convincing:

Oh at least

one meeting

regarding the eradication of all meetings!

The poem "About rubbish" is also close to the theme of this work. In the center of it is the image of a bourgeoisie who has wedged himself into a Soviet institution and cares only about his own well-being. The characterization of the "filth", directly opposed to the real heroes of the revolution, ends with a fantastic picture: as if Marx himself raised an indignant voice from the portrait against the philistine life:

“Threads have entangled the philistine revolution.

The philistine life is more terrible than Wrangel.

roll the heads of the canaries -

so that communism

was not beaten by canaries! "

The theme of the struggle against the philistine for a healthy socialist life was raised by the poet in a number of poems.

Mayakovsky's satire is one of the important constituent elements of his poetry. Its peculiarity is the lyrical passion of the patriotic poet in exposing what is incompatible with the idea of ​​a high rank of a citizen, which prevents the building of a new state.

The storms of revolutionary bosoms have calmed down.

The Soviet mishmash was covered with mud.

And got out

from behind the RSFSR

tradesman.

One of the most striking aspects of Mayakovsky's poetry was satire, of which he was rightfully considered a brilliant master. High, exciting pathos and heartfelt lyricism coexisted in him with satirical ruthlessness, with Shchedrin's, Swift mocking laughter. The higher and purer the poet drew the shining ideal of the new man, the more violently he attacked vulgarity, lack of culture, greed and predation. "What an evil, strong," biting "enemy our philistinism, bureaucracy, degenerate sycophancy found for itself in Mayakovsky! everyday life and customs, bureaucracy of big and small bureaucrats and lawyers! " - wrote NI Bukharin in a farewell article with the subtitle "Mournful Thoughts" on the eve of the great poet's funeral.

Mayakovsky called his angry satirical poems "Terrible laugh", as he helped to burn "various rubbish and nonsense" out of our lives with them. The poet considered it his duty "to roar like a honey-throated siren in the fog of the bourgeoisie, near the storms in boiling." The poet saw in rhyme not only a "caress and slogan" for friends, but also a "bayonet and whip" for enemies. With a sharp word he struck down idlers, bureaucrats, plunders of the people's property and other "scoundrels". The objects of Mayakovsky's satire are as diverse as reality itself. His satirical whip got the enemy, no matter what guise he was: an interventionist or a murderer from around the corner, a sneaky careerist or a Soviet "pompadour" with a party card. Back in 1921, in the poem "On Trash", Mayakovsky boldly depicted a mule bourgeois leaning out from behind the back of the RSFSR. His "comrade Nadia" is inimitable:

And me with the emblems of the dress.

Without a hammer and sickle, you will not appear in the light!

I will figure

at the ball in the Revolutionary Military Council ?!

Mayakovsky, in Gorky's way, hated philistinism, ridiculed and exposed it everywhere: in large and small, in everyday life and art, among some of the youth of his day. Such are his poems "Love", "You Give a Graceful Life", "Letter to Molchanov's Beloved", "Beer and Socialism", "Marusya Was Poisoned", etc.

The themes of Mayakovsky's satire are also developed in his comedies "Bedbug" and "Bath". The Bedbug depicts a certain Prisypkin, who changed his surname “for grace” into Pierre Skripkin. "A former worker, now a groom", he married a girl Elsevira Re-ness, a manicurist who "cut off the former Prisypka claws." For the upcoming "red wedding" he buys "red ham", "red-headed bottles and other red." As a result of a series of fantastic events, Prisypkin manages to survive frozen until the coming communist society. It is thawed, and people of the future are surprised to consider this "vodka-eating mammal". However, he spreads around him the disease-causing bacilli of alcoholism, sycophancy and guitar-romance sensitivity. And Prisypkina, as the rarest specimen of the "commoner vulgaris", together with his constant companion "klopus normalis", is placed as an exhibit in the zoological garden.

Mayakovsky's second comedy is a sharp satire on bureaucracy. "Bathhouse" washes (simply erases) the bureaucrats, "wrote Mayakovsky. The central character of the play is the chief chief of the coordination department Pobedonosikov. He is trying to leave in the" time machine "invented by the Komsomol members into the future, into the" communist age. " He even prepared mandates and travel documents and writes out daily allowances from “the average calculation for 100 years.” But “the time machine rushed forward for five years, with tenfold steps, carrying away workers and workers and spitting out Pobedonosikov and the like.”

Mayakovsky's set of satirical means is exceptionally rich and varied. "Weapons of the beloved kind" - this is how the poet called his brave "cavalry of witticisms", whose heroic raids were truly irresistible.

Mayakovsky's favorite satirical technique is extreme hyperbolism. The infinitely exaggerated phenomenon is already becoming fantastic. Mayakovsky used these fantastic and grotesque hyperboles in his early "Hymns". Thus, in the "Hymn to the Judge" we read:

The judge's eyes are a pair of cans flickering in the cesspool.

An orange-blue peacock fell under his austere eye,

like a post, -

and instantly faded the peacock's magnificent tail!

In general, Mayakovsky is inimitable in the art of cartoon - satirical emphasis, condensation of the exposed features. An excellent example in this regard is the poem "6 Nuns":

like boric solution, together,

squadron, sit down to eat. Having lunch together

hiding in the restroom. One yawned -

yawn six ... you come at night -

sit and mutter. Dawn into roses -

bitches muttering! And in the afternoon

and at night, and in the morning, and at noon they sit

and mutter

fools of the Lord.

A more murderous caricature of religious bigotry is hard to imagine.

Literary parodies play a very important role in Mayakovsky's satirical arsenal. The parodied text of Pushkin is excellently used in the poem "Good!" Tatiana's most gentle poetic duet with her nanny is played out by the old woman Kuskova, inflamed with passion for Kerensky ("Why is this girl drying and withering? Silent ... but the feeling, you see, is great") and the "mustachioed nanny", "the well-worn Pe En Milyukov." A witty parody greatly enhances the effect of satirical exposure.

The grotesque, that is, comically horrible character of the picture, which depicts the sitting "people of half", is emphasized by the "quietest" attitude of the secretary, who considers such a situation, from which the poor petitioner "went crazy", quite natural:

meetings for twenty

we need to keep up.

Inevitably, one has to split in two.

Up to the waist here

but other

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She stood in the service of the revolution, in the service of the socialist society. The heroes of the poet's satire are not specific characters, but personified flaws, depicted in a grotesque, caricatured form.

Mayakovsky's satire is one of the important constituent elements of his poetry. Its peculiarity is the lyrical passion of the patriotic poet in exposing what is incompatible with the idea of ​​a high rank of a citizen, which prevents the building of a new state.

In the center of the poem "About rubbish" - a bourgeoisie who got into a Soviet institution and cares only about his own well-being. starts with lines like this:

Glory, Glory, Glory to the heroes !!!

However, they were paid enough tribute.

Now let's talk about rubbish.

Already this beginning speaks about the content of the poem. It does not intend to sing the praises of the revolution. Despite the fact that he accepted the revolution immediately and recklessly, like a fresh element sweeping the world, he cannot but notice the shortcomings around him. Remnants of the past world and malignant neoplasms of the present do not give Mayakovsky peace. He is ready to brand them with shame and reveal the negative features of society, like a surgeon's scalpel. This is what the first lines of the poem say. It was not created to glorify the heroes of the revolutionary years. It is designed to stigmatize the abominations of the philistine. “So far, the rubbish has thinned out a little,” says the poet in this poem. He denounces the bourgeoisie in the post-revolutionary years, the bourgeoisie, says that even the storm of the revolution could not cope with them. Although Mayakovsky hoped for a life-giving and refreshing impact of the revolutionary movement:

The storms of the revolutionary trends have calmed down.

The Soviet mishmash was covered with mud.

I got out from behind the back of the RSFSR a mule bourgeois.

No matter how much Mayakovsky hoped for a revolution, Soviet reality was not perfect. And the reason for this is simple: old people came to the new one, who did not want to change the principles, the way of life, who were accustomed to drag out existence. In spite of them, there were revolutionaries - representatives of the new trend, but they calmed down, completing what they had begun. "The storms of revolutionary bosoms have calmed down ...", - says the poet in his work.

Mayakovsky mercilessly castigates a stupid, self-righteous man in the street, indifferent to many manifestations of life, to art and beauty, absolutely soulless.

Mayakovsky in his poem creates images of the bourgeoisie, whose horizons are limited, and their first joy in life is an increase in their salary. Mayakovsky insists that philistinism is not a social class, but a pseudo-class. The images of the bourgeoisie are grotesquely exaggerated. A characteristic feature of this poem is self-disclosure in the world of the bourgeoisie. The portrait of Karl Marx became a decoration of the home.

The characterization of the "filth", directly opposed to the real heroes of the revolution, ends with a fantastic picture: as if Marx himself raised an indignant voice from the portrait against the philistine life:

Marx looked from the wall, looked ...

And suddenly he opened his mouth, but as he yelled:

“The threads of the philistine revolution have entangled them. Life is more terrible than Wrangel's common life. Rather, roll the canaries' heads - so that communism is not beaten by canaries! "

And these lines again confirm the inner protest of the poet and his lyric. Unwillingness to see old troubles in a new world close to a perfect device.

I would like to draw your attention to the last lines of the poem:

... roll the canaries' heads - so that communism is not beaten by canaries! ...

The word "canary" means all the limitations, the whole life of the bourgeoisie. It is intended to generalize the "portrait of a bourgeois", beyond its borders - all that lack of spirituality and the desire for material values ​​that the poet so despised. The canary as a symbol of philistinism (a bird in a cage, singing for the entertainment of people swum with fat) must be destroyed. Otherwise, all these "scum" - the bourgeoisie will nullify the cause of the revolution.

Thus, the poem "On Trash" is permeated with the pathos of the struggle against what prevents the formation of an ideal socialist society. Mayakovsky in it showed those shortcomings that forced him to act over and over again with his own poetic methods. The satirical denunciation of Mayakovsky is a strong, but perhaps the only means by which the poet tried to reorganize the world.

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Vladimir Vladimirovich Mayakovsky is a poet who has always responded to the events of our time. For him, there were no topics to which poetry could not respond. Everything was the subject of his attention, if it contributed to the prosperity of the Motherland. In the twenties, bureaucracy swept over the bureaucracy, and Mayakovsky responded to this evil with the poem "Lost Sitting".

Slightly the night will dissipate
I see every day:
who is in the heads,
who is in whom,
who is watered,
who is in the gap,
the people are dispersed to institutions.

The satirical generalization contained in this work testified to the keenness of the author's political vision, to his increased skill. The satirical power of Mayakovsky's poem is born from an organic fusion of a realistic life situation with hyperbole, grotesque, fantasy of individual paintings and images. The usual picture of employees coming to work in institutions - and a rain of papers, from which they choose "from a hundred - the most important!" - for the next meeting. The meetings follow one after the other, one more absurd than the other: the theater department meets with the head office of the stud farm, the purpose of another meeting is to resolve the issue of “buying a bottle of ink by the Gupcooperative”, and finally, the already completely unimaginable meeting “A-be-ve-ge-de e-same-ze-ko-ma ”. The lyrical hero, seeking an audience "from the time she", is sincerely indignant, he is seized with rage. He bursts into an avalanche at the next meeting:

And I see:
half of the people are sitting.
O devilry!
Where is the other half?

The hero's mind went crazy from this "terrible picture." And suddenly:

The senselessness and hopelessness of this vanity is especially sharply and convincingly emphasized by this fantastic picture, which arose from the vernacular turn of phrase “not to be torn apart”. The poem ends with a lyrical conclusion, precise and convincing:

Oh at least
yet
one meeting
regarding the eradication of all meetings!

The poem "About rubbish" is also close to the theme of this work. In the center of it is the image of a bourgeoisie who has wedged himself into a Soviet institution and cares only about his own well-being. The characterization of the “filth”, directly opposed to the real heroes of the revolution, ends with a fantastic picture: as if Marx himself raised an indignant voice from the portrait against the philistine life:

“Threads have entangled the philistine revolution.
The philistine life is more terrible than Wrangel.
Quicker
roll the heads of the canaries -
so that communism
was not beaten by canaries! "

The theme of the struggle against the philistine for a healthy socialist life was raised by the poet in a number of poems.
Mayakovsky's satire is one of the important constituent elements of his poetry. Its peculiarity is the lyrical passion of the patriotic poet in exposing what is incompatible with the idea of ​​a high rank of a citizen, which prevents the building of a new state.

The storms of revolutionary bosoms have calmed down.
The Soviet mishmash was covered with mud.
And got out
from behind the RSFSR
murlo
tradesman.

Poignantly and mercilessly, Mayakovsky castigates “eternal” evil.

Vladimir Vladimirovich Mayakovsky is a poet who constantly responded to the events of our time. For him, there were no topics to which poetry could not respond. Everything was the subject of his attention, if it contributed to the prosperity of the Motherland. In the twenties, bureaucracy swept over the bureaucracy, and Mayakovsky responded to this evil with the poem "Lost Sitting".

Slightly the night will dissipate

I see every day:

who is in the heads,

who is in whom,

who is watered,

who is in the gap,

the people are dispersed to institutions.

The satirical generalization contained in this work testified to the keenness of the author's political vision, to his increased skill. The satirical power of Mayakovsky's poem is born from an organic fusion of a realistic life situation with hyperbole, grotesque, fantasy of individual paintings and images. The usual picture of employees coming to work in institutions - and a rain of papers, from which they choose "from a hundred - the most important!" - for the next meeting. Meetings follow one after another, one more absurd than the other: the theater department meets with the general management of the stud farm, the problem posed at another meeting is the decision of the issue of “buying a bottle of ink by the Gupcooperative”, and finally, the already completely unimaginable meeting “A-be-ve-ge-de -e-same-ze-ko-ma ”. The lyrical hero, seeking an audience "from the time she", is outraged from the heart, he is seized by aggression. He bursts into an avalanche at the next meeting:

half of the people are sitting.

O devilry!

Where is the other half?

The hero's mind went crazy from this "terrible picture." And suddenly:

“She is in two meetings at once.

meetings for twenty

we need to keep up.

Inevitably, you have to split up. "

The senselessness and hopelessness of this vanity is especially sharply and convincingly emphasized by this fantastic picture, which arose from the vernacular turn of phrase “not to be torn apart”. The poem ends with a lyrical conclusion, precise and convincing.