"Still fragrant bliss of spring ...", analysis of Fet's poem. “Still fragrant bliss of spring ...” A. Fet Still fragrant bliss of spring

Not far from Paris, in the small town of Saint-Genevieve-du-Bois, in the Orthodox cemetery, among the numerous burial places of our compatriots, there is a modest tombstone on which the world-famous Russian name is inscribed: Ivan Alekseevich Bunin. For over thirty years his ashes have been buried in French soil. But only in last years started writing about tragic fate in a foreign land, about the oblivion of the sacred grave of an outstanding artist.

In 1903, the first review written by Alexander Blok appeared in the Novy Put magazine. It was no coincidence that he met with the publication headed by Z. N. Gippius and D. S. Merezhkovsky. Prior to his personal acquaintance with them (in March 1902), Blok studied the works of Merezhkovsky a lot and carefully, and, as Vl. Orlov: “Almost all of Blok’s thoughts in his youthful diary are about the antinomy of the pagan and Christian worldviews (“flesh” and “spirit”).

"A life well lived is a long life." This saying of Leonardo da Vinci in relation to Anna Akhmatova is doubly true. She not only lived her life well and with dignity, but the time allotted to her on earth turned out to be surprisingly long indeed. However, rejoicing in the creative longevity of Akhmatova, one cannot but mention some features of the memoir literature about her that stem from this factor. Why do we have such a rich memoir literature about Alexander Blok or Sergei Yesenin?

1. What are these poems about? What mood do they evoke?

The poems are united by a common theme: they show a premonition of spring as a renewal of life. Both convey the transitional state of nature. Light, joyful mood.

2. How are the poems constructed? What are the features of the composition?

The composition of poems with the same movement from nature to man varies: Tyutchev's poem is two-part: the first stanza is a landscape sketch, the second is a philosophical development of the theme, a poetic generalization;

In Fet, 2 parts can also be distinguished in the poem (as indicated by the union “but” in the third stanza), but the poet does not compare and, moreover, does not oppose man and nature, but shows man in unity, in harmony with the outside world.

That is, for Tyutchev the main thing is man, for Fet it is nature.

3. What picture is drawn and by what means in one and the other poem? What do you see the difference in creating the image of the reduced nature of Tyutchev and Fet? What is the role of detail in the understanding of nature by Tyutchev and Fet?

In both poems, images of pre-spring nature are similar, the key words are the same: “spring”, “bliss”. Both poems are impressionistic: the poets do not so much depict the landscape as they convey the subjective state lyrical hero, it is his feelings that surround the landscape. However, Tyutchev’s and Fet’s images of nature are significantly different: Tyutchev’s image of nature tends to be abstract, generalized, the details are symbolic (“dead stem”, “thinning dream”, “azure shines”, “blocks of snow shine and melt”). In Fet, on the contrary, the images of nature at the level of details are concrete, objective (“a cart”, “ravines are full of snow”, “linden reddens”, “birch tree turns a little yellow”). Artistic means are of the same type: anaphora, epithets, personification, inversion, assonance, syntactic parallelism.

Tyutchev has one - the only picture of nature in the poem, Fet's landscape is given in fragments, crushed into many pieces.

4. What can you say about the lyrical heroes of the poems?

The lyrical hero of Tyutchev and Fet is distinguished by his attitude to nature, which opens up to him. Although in both poems the lyrical hero rejoices at the arrival of spring, Tyutchev's landscape is rather just an occasion to think about a person, about his state of mind. For Fet, the main thing is the beauty of the emerging spring in all even the most ordinary objects, and man is by no means the main part of this world.

5. Compare the poems at the level of using vocabulary and syntax. Where do you see the difference?

At the lexical level, the poems are different. Tyutchev uses high-style words: “Stalk”, “Azure”, “thinning dream”, “gilds dreams”, Fet, along with high-style words (“descend”, “message”) easily introduces the simplest vocabulary: “cart”, “ blue blush." For Tyutchev, a generalizing majestic picture is important, for Fet it is simple and concrete.

At the level of syntax, the poems also differ. In Tyutchev, the philosophical sound of the poem is emphasized by the figure of silence and rhetorical questions, complicated sentences. Fet's poem does not pretend to be philosophical generalization, which is also reflected in the syntax: the sentences are simpler, there are no default figures, rhetorical questions

6. Analyze the rhythm of the poems, draw conclusions. (Assignment of a complicated type).

The size of the poems is the same: iambic tetrameter with complex rhyming. But the poems sound different due to the different stanzas of the poems and the use of Pyrrhic. In Fet, the tempo of the poem is lighter, livelier, more energetic, numerous pyrrhics speed up the pace, and the use of five lines with a complex arrangement of rhyming lines stops the reader's attention on individual details. In Tyutchev, the pace of the poem slows down in the second part due to the almost complete absence of pyrrhic and the transfer of stress (though weakened) to the first syllable in the first foot in the last lines of the poem. The octagon used with cross and ring rhymes also contribute to the rhythm of the meditation.

7. What is the result of the lyrical statement of Tyutchev and Fet? In what way do you see the commonality and difference of the poetic idea in the poem?

The poetic idea in both poems is close: spring is the revival of nature, spring is the awakening of the human soul. In both poems, poetic thought moves from a landscape picture to a person. What poets have in common is the philosophical understanding of man and nature. For Tyutchev and Fet, nature is a living being, and man is a part of nature. But if for Fet the main thing is the beauty of nature in all its manifestations, and a person is in harmony with the outside world, then Tyutchev compares a person with nature, i.e. is in some disagreement with her, although in this poem the discord is still almost not felt, there is not yet that tragedy of the relationship between man and nature, which will appear in the late Tyutchev.

The poem "Still fragrant bliss of spring ..." was written by the famous Russian poet Afanasy Afanasyevich Fet in 1854. A few months after its creation, it was first published in the Sovremennik magazine, along with a number of other poems by the poet. At the time of writing the work, the name of A. A. Fet was already widely known, the poet became close to the literary circle of the Sovremennik magazine, which included such recognized masters of the word as I. Turgenev and N. Nekrasov. Despite Fet's friendship with other poets, their influence on his poetry was minimal: A. A. Fet was an innovator in the field of verse and followed his own unique style.

The poems of A. A. Fet are considered the pinnacle of Russian landscape lyrics, the work “Still fragrant bliss of spring ...” also belongs to this literary direction. When creating a poem, the poet turned to one of his favorite lyrical genres: elegy. Creative works of this style are distinguished by a slight sadness that permeates the author's lines. The melancholy, thoughtful mood of the poem creates a feeling of observing the world around. In the last lines of the work, the spiritual rise of the lyrical hero takes place, his enthusiasm is noticeable due to the appearance of the first signals of the coming spring.

The elegy "Still fragrant bliss of spring ..." is dedicated to theme of nature, like most of the works of A. A. Fet. In the poet's work, love for landscapes is closely intertwined with love for his native land, but at the same time, there are no motives of civil lyrics in the poem. The central place is occupied by the attitude of the lyrical hero, who observes nature full of spirituality.

The work consists of three stanzas, each of which consists of five lines. The first two stanzas logically unite each other, line up in a single composition. In them, the poet describes the winter landscape with its signs: "The ravines are full of snow", "only at noon the sun warms". The third stanza was created using the method of opposition, notes of spring nature appear in it: "flying cranes", "rebirth message".

Plot poems are a series of picturesque paintings that replace each other. The author seems to be painting two landscapes: the first of them is still covered with snow, and the sun begins to warm only by noon. The lyrical hero observes winter, in which there is no hint of spring metamorphoses yet; but he is looking forward to them, the constantly repeated word "more" indicates this. Fet understands that winter will not last forever, and spring is about to come. The second landscape, drawn by the author, also depicts winter, but the man is "beauty of the steppe"- is already experiencing the feeling of the arrival of spring, which is in the air along with the cranes. In a short sketch, the poet manages to show the relationship between man and nature, the synthesis of feelings, which is familiar to everyone who has observed changes in the world around him.

The lines of the poem are written in tetrameter and pentameter iambic, in poetic meter with the stress on the second syllable in the foot, and are united by a woven rhyme that has an ABAAB scheme with alternating feminine and masculine rhymes.

The poem “Still fragrant bliss of spring ...” is distinguished by the variety of paths that create a landscape of awakening nature that is unique in beauty. Among them are such means of artistic expression as numerous epithets ("beauty of the steppe", "frozen way", "Spring fragrant"), metaphor ("rebirth is a living message"), antithesis(the third stanza against the background of the first two), personifications (“the sun is warming”, “the linden is reddening”, “the birch tree is turning yellow”), syntactic parallelism using lexical repetition ( "more"). The last stylistic figure is actively used by the author in order to emphasize the mood of anticipation of changes in nature. The onset of spring cannot happen abruptly, all changes are gradual, smooth, and the poet talks about them as if moment by moment. At the same time, the transience of the moment is also noted, this is manifested in the rapid change in the nature of the poem in the final stanza.

Afanasy Afanasyevich Fet is a genius of landscape lyrics. His extraordinarily beautiful and thoughtful poem "Still fragrant bliss of spring ..." is filled with amazing love for nature, which has so many guises.

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Here comes the real spring! And the temperature is almost summer: +19*C! On April 10, for the first time this year, I went out of the city, into nature ... I made a short trip from Krutogorye to Troitsky by the right high bank of the Voronezh River ... And, I must say, the trip turned out to be successful: I saw a fox, a crane quite close and, most importantly, snowdrops ! They are the ones who made this day.

Athanasius Fet

More fragrant bliss of spring
We did not have time to descend,
More ravines are full of snow
Still at dawn the cart rumbles
On a frozen path

As soon as the sun warms at noon,
The linden blushes in height,
Through, the birch tree turns a little yellow,
And the nightingale does not dare yet
Sing in a currant bush.

But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.

Nega... What a beautiful forgotten word, and wonderful poems by Fet! Our language has become noticeably impoverished since the poetic 19th century

"More ravines are full of snow..."
Not so full, but there is snow. On a sunny slope, he almost descended, and on a shady one, he still holds on.

I was walking along the ravine above, suddenly there was a rustle below: it was the fox that darted out of the bushes, ran up the opposite slope, and disappeared behind the hillock ... I followed her through the ravine, but the cheat was already such

River
It's good to sit on a steeper slope, in the sun, watching a single piece of ice float down the river... The alder bushes are filled with dark purple: the catkins are swollen and will soon begin to stretch, releasing yellow pollen - the alder will bloom... Butterflies come to life and fly around: lemongrass, urticaria, Peacock eye
The high right bank of the river is now almost entirely built up. Only a small free area remained, about two kilometers, from the village of Krutogorye to the village of May Day, which is visible on the horizon ... And then they didn’t build it up, probably due to the fact that there are many ravines

The work of water: instead of the road that was here, there is a deep ravine; the slope of the ravine collapsed, slid

And below - sand alluvium

On one of the slopes I found three holes at once, one of them is clearly fresh, with traces ... Probably, the fox lives here

In the ravine
The ravines leading to the river are deep here, with steep slopes: you can’t climb everywhere

Landslide

Upstairs, a patch of snow under a huge oak

Spill
The water from clay and silt is cloudy, brownish-gray, which usually happens on rivers during floods ... In May, the water will brighten

Somewhere here a heron flew up from the shore
The pictures turned out to be not very expressive: there was a slight haze from fumes, but there were no clouds at all: the sky is absolutely clear

And here is the joy: the first flower! In the oak forest I came across a snowdrop, and a ladybug was crawling nearby

And a little "tar" in a barrel of honey (where would we be without it), another barbarity:

"Lohotundra"
"In four years there will be a garden city" suburban village with all the ensuing consequences. Near the small village of May Day, the field is massively built up. And in 2011 there was only one house, near the forest

Clearly a thieves' house
When I passed by, behind a three-meter thick fence, about five huge dogs were bursting with anger. The ghoul who settled here clearly has something to hide. To the right, behind the fishing line, there is a river ... There, in front of his house, there is a gazebo for barbecue and an iron staircase to the water. I chopped off a good place for myself, next to the reserve

And nearby in the oak forest: beauty!

They build a village, and then - "goodbye, snowdrops": around such villages in the forests, as a rule, everywhere is a garbage dump. The places here are fertile; it's a shame they're being bullied

"Still fragrant bliss of spring
We did not have time to descend ... "
But the first flowers of spring with a delicate delicate, barely perceptible aroma - here they are, they have already come into the world ...

In addition to the snowdrops, I saw the first Corydalis

A crane rose from the water near Lake Stolpetskoye ... A huge beautiful bird! I saw a crane so close for the first time! He flew to a nearby winter field, I tried to film him (I'll post it later)

Black alder in the water

The toad has woken up and is heading towards the water... I didn’t notice it right away: it merges very well with the litter

Streams of melt water run from the slopes

She is hazy white

Sharp-faced frog (sharp-faced frog)

Soon the frog trills will sound

Snowdrops in a stream

"But the news of rebirth is alive
There are already in the flying cranes ... "
Behind the meadow there is a floodplain forest, loud cries of cranes come from it ... It is interesting: did they stop here to rest or decided to nest? However, besides the flying shoals of cranes, I saw pairs of cranes twice: one circled in the sky, and the other walked along the plowed field ... So, some of the cranes, apparently, nest in swampy forests

Writing

A. A. Fet is deservedly and widely known as a subtle lyricist, a sensitive artist who created vivid, unforgettable pictures of nature, reflecting the most difficult experiences of the human soul. Feta-lyricist was not interested in the social and political problems of our time, for which he, as a representative of "pure art", was condemned and ridiculed by revolutionary democratic literary figures. The main topics for the poet were "eternal" themes: nature, love, beauty. His poems are musical, his images excite with sounds, smells, they are almost tangible, visible, like beautiful bright moments of life. Fet's nature is spiritualized and harmonious with the human soul, it is interconnected with the mood and attitude of the lyrical hero. As Af wrote. Fet in the preface to the third edition of the poems "Evening Lights", he would like to find in poetry "a refuge from all worldly sorrows", and such a refuge becomes for him, first of all, nature, its elusive world, permeated with the thought of beauty and eternity.

The poem "Still fragrant bliss of spring ..." was written in 1854 by a well-known poet, a recognized master of landscape lyrics. The author paints a picture of only the emerging spring, rather, its premonitions:

Another fragrant bliss of spring

We did not have time to descend,

Still ravines are full of snow,

Still dawn the cart rumbles

On a frozen path

The poem is small in size - it has only three five-line stanzas. Two of them continue each other compositionally, emphasizing the winter signs of the surrounding landscape. The sun warms “barely at noon”, the trees are still transparent and bare, “and the nightingale still does not dare to occupy in the currant bush” - its time has not yet come. But the third stanza is the antithesis of the two previous ones, and there is something in it the main idea poet, subtly feeling the coming awakening of nature:

But the news of rebirth is alive

There are already in the flying cranes,

And, following their eyes,

There is a beauty of the steppe

With a blush on the cheeks

The feeling of the rebirth of nature is in the air, it is transmitted to a person and projected by the author directly onto a person - a steppe beauty who feels the cold by herself, but dreamily expects spring, as all nature expects her. This sketch of a living picture conveys one elusive moment, with the help of the artistic means creating a strong emotional impact. This goal, as always with the author, is served by epithets (“fragrant spring”, “frozen path”, “flying cranes”). An important role in this case is played by syntactic parallelism, subordinate, as already mentioned, to the compositional idea of ​​the mood of the work. In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, as an antithesis, begins with the union "but" and is means of expression transfer of the author's idea, subject to a common goal. The creation of a tensely emotional picture of nature, the transmission of a subtle, almost elusive feeling of a lyrical hero, his joy, a quivering novelty of sensation - these are the features that distinguish Fet's landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.