Creativity of Nikolai Rubtsov: main features. Nikolay Rubtsov. A short biography for children A message about the life and work of N. Rubtsov

In 2016, Nikolai Rubtsov could have celebrated his 80th birthday, but the poet lived only to 35. His life, like a comet flash, ended unexpectedly and strangely. But Rubtsov managed to do the main thing - to confess his love for Russia. Poetry and biography of the poet is compared with creative destiny. The same short, tragically cut short life. The same piercing and full of hidden pain poems.

Childhood and youth

The poet was born in 1936 in the North. In the village of Yemetsk, near Kholmogory, the first year of Nikolai Rubtsov's life passed. In 1937, the Rubtsov family moved to the town of Nyandomu, 340 kilometers south of Arkhangelsk, where the head of the family ran a consumer cooperative for three years. But even in Nyandoma, the Rubtsovs did not live long - in 1941 they moved to Vologda, where they were caught by the war.

Father went to the front, communication with him was lost. In the summer of 1942, his mother, and soon Nikolai's one-year-old sister, passed away. The pain of loss poured into the first poem in a 6-year-old boy. In 1964, Nikolai Rubtsov recalled his experiences in the verse "My Quiet Homeland":

“My quiet homeland!
Willows, river, nightingales ...
My mother is buried here
In my childhood years. "

Nikolai Rubtsov and his older brother were assigned as orphans to an orphanage in "Nikolakh", as the people called the village of Nikolskoye. The poet recalled the years of the orphanage life with warmth, despite his half-starved existence. Nikolai studied diligently and graduated from the 7th grade at Nikolskoye (the House-Museum of N.M. Rubtsov was arranged in the former school). In 1952, the young writer went to work at Tralflot.

The surviving autobiography of Rubtsov indicates that he is an orphan. In fact, the father returned from the front in 1944, but due to the lost archive he did not find the children. Mikhail Rubtsov married a second time. Looking ahead, 19-year-old Nikolai met his father in 1955. 7 years later, Rubtsov Sr. died of cancer. For two years, starting in 1950, Nikolai was a student at the "forest" technical school in Totma.

After graduation, he worked as a stoker for a year, and in 1953 he went to the Murmansk region, where he entered the mining and chemical technical school. In the second year, in the winter of 1955, student Nikolai Rubtsov was expelled due to a failed session. And in October, the 19-year-old poet was called up to serve in the Northern Fleet.

Literature

Nikolai Rubtsov's literary debut took place in 1957: his poem was published by a regional newspaper in the Arctic. Demobilized in 1959, the northerner went to the city on the Neva. He earned his living by working as a mechanic, fireman and factory batcher. He met the poets Gleb Gorbovsky and Boris Taigin. Taigin helped Rubtsov to break through to the public, having released in the summer of 1962 in a samizdat manner the first collection of poetry, Waves and Rocks.

In the same year, Nikolai Rubtsov became a student at the Moscow Literary Institute. Stay at the university was interrupted more than once: due to his ruffled character and addiction to alcohol, Nikolai was expelled and reinstated again. But during these years the collections "Lyrics" and "Star of the Fields" were published. In those years, the cultural life of Moscow was in full swing: poems thundered on the stage, and.

The provincial Rubtsov did not fit into this loudness - he was a "quiet lyricist", he did not "burn with a verb." The almost Yesenin lines of the poem "Visions on the Hill" are characteristic:

“I love yours, Russia, old times.
Your forests, churchyards and prayers. "

The work of Nikolai Rubtsov differed from the works of the fashionable sixties, but the poet did not strive to follow the fashion. Unlike Akhmadulina, he did not collect stadiums, but Rubtsov had fans. He was also not afraid to write seditious lines. In "Autumn Song", which the bards loved, there is a verse:

“I forgot that night
All the good news
All the calls and ringing
From the Kremlin gates.
I fell in love that night
All the prison songs
All forbidden thoughts
All the persecuted people. "

The poem was written in 1962, and the authorities did not stroke the head for this.

In 1969, Nikolai Rubtsov received his diploma and became a staff member of the Vologda Komsomolets newspaper. A year before, the writer was given a one-room apartment in the "Khrushchev". In 1969, the collection "The Soul Keeps" was published, and a year later, the last collection of poems, "Pine Noise". The collection "Green Flowers" was ready for publication, but came out after the death of Nikolai Rubtsov. In the 1970s, the poetry collections The Last Steamer, Selected Lyrics, Plantains and Poems were published.

Songs to verses by Rubtsov

The poetic works of Nikolai Rubtsov became songs that were first performed in the 1980s and 90s. He sang the same "Autumn Song", only without the seditious verse. The music for it was written by the composer Alexei Karelin. At the Song-81 competition, Gintare Yautakaite sang “It's light in my room” (composer). The next year the verse "Star of the Fields" was set to music. The composition was performed (the album "Star of the Fields").

The popular Leningrad group "Forum" also introduced a song to the poet's poems "Leaves flew away" into the repertoire. The composition of the same name was included in the album "White Night", released in the mid-1980s. The verse "Bouquet" has sung: the melody and the words "I will drive the bike for a long time" are known to more than one generation of Soviet people. In the late 1980s, the song was played at all concerts.

The lines of the poem "Bouquet" were written by Nikolai Rubtsov during his years of service in the Northern Fleet. In the 1950s, in the village of Priyutino near Leningrad, where Rubtsov's brother Albert lived, Nikolai met a girl, Taya Smirnova. In 1958, the poet came on leave, but the meeting with Taya turned out to be goodbye: the girl met another. In memory of youthful love, there is a poem written by Rubtsov in 15 minutes.

In the 2000s, they returned to the poetry of Nikolai Rubtsov: the song "Will the cloudberry blossom and ripen in the swamp" sang, and the group "Kalevala" introduced a composition for the poem "Appeared" into the repertoire.

Personal life

1962 was an eventful year for the poet. Nikolai Rubtsov entered the literary institute and met Henrietta Menshikova, the woman who gave birth to his daughter. Menshikova lived in Nikolskoye, where she was in charge of the club. Nikolai Rubtsov came to see his classmates at Nikolay, rested and wrote poetry. In early 1963, the couple got married, but without formalizing the relationship. In the spring of the same year, Lenochka was born. The poet visited Nikolskoye on short visits - he studied in Moscow.

In 1963, at the institute's dormitory, Rubtsov met the novice poetess Lyudmila Derbina. A fleeting acquaintance then did not lead to anything: Nikolai did not make an impression on Lyusya. The girl remembered him in 1967, when she came across a fresh collection of the poet's poems. Lyudmila fell in love with the poetry of Nikolai Rubtsov and realized that her place was next to him.

The woman already had a failed marriage and daughter Inga behind her back. In the summer, Lyudmila came to Vologda and stayed with Nikolai, for whom the poet Lyusya Derbina became a fatal love. Their relationship can not be called equal: Rubtsov had an addiction to alcohol. In a state of intoxication, Nikolai was reborn, but hard drinking gave way to days of repentance. The couple then quarreled and parted, then reconciled again. In early January 1971, the lovers came to the registry office. The wedding day was scheduled for February 19.

Death

The poet did not live to get married for exactly a month. His lines "I will die in Epiphany frosts" turned out to be a prophecy. The events of that terrible night are still being discussed today. Nikolai Rubtsov was found dead on the floor of the apartment. Lyudmila Derbina confessed to manslaughter.

The pathologists agreed that the cause of death was strangulation. The woman was sentenced to 8 years, released under an amnesty after 6. In an interview with reporters, she said that during a quarrel that Epiphany night, a drunk Rubtsov had a heart attack. Lyudmila never admitted guilt. Nikolai Rubtsov was buried, as he bequeathed, at the Poshekhonskoye cemetery in Vologda.

Bibliography

• 1962 - Waves and Rocks
• 1965 - Lyrics. Arkhangelsk
• 1967 - "Star of the Fields"
• 1969 - "The Soul Preserves". Arkhangelsk
• 1970 - "Pine Noise"
• 1977 - "Poems. 1953-1971 "
• 1971 - Green Flowers
• 1973 - The Last Steamer
• 1974 - "Selected Lyrics"
• 1975 - Plantains
• 1977 - "Poems"

Nikolai Mikhailovich Rubtsov (1936-1971) was born in a small village in the Arkhangelsk region, lost his parents in early childhood, was brought up in an orphanage, after graduating from a seven-year school he wandered around the country, served in the navy, worked as a fireman at the Kirov factory in Leningrad, from there from the working literature got into the Literary Institute, and after graduation he lived in the Russian north, in the Arkhangelsk and Vologda regions, where four collections of his poems were published one after another; the last and best of them is Green Flowers.

It is no coincidence that N. Rubtsov is called the "quiet poet"; the turbulent political events of the 50-60s, the ideological and social problems of the tense epoch did not seem to have touched the poet, as if they had not been noticed by him; in this respect Rubtsov is very reminiscent of the early Yesenin, and indeed his poetic path he began with a clear imitation of S. Yesenin. Yesenin's influence is further felt in the verses of the Vologda poet.

Reading Rubtsov, it is as if you find yourself again in the Russian village of the beginning of the century, described by Yesenin, and you see with surprise that despite the turbulent and destructive events of the century, the quiet Russian village, the discreet, but heart-piercing beauty of Russian nature remained the same. The meadows are still blooming, the distant forests are fogging and the setting sun fills the hut through a low window with crimson light - and all the same, in the inexpressible love for that native beauty, the poet's heart dissolves.

The motive of silence, tranquility, immobility of the rural world, its immutability and poise runs through the entire poetry of N. Rubtsov. In his poems, the reader almost never meets people, we see and hear only the author himself, a person infinitely lonely, yearning for peace, inclined to contemplation, a serene and sad person.

N. Rubtsov's poems are often surprisingly musical, full of true, deep, ambiguous poetry, melodious and simple with the high simplicity of real art. One after another, melodiously and simply, poems about the native land, about grasses, lakes and stars sound - and the reader is confronted with the most charming appearance of a poet, a man of pure and kind soul, gentle, calm and sad.

N. Rubtsov constantly emphasizes his blood, organic connection with his homeland:

With every hitch and cloud,

With thunder ready to fall

I feel the most burning

The most mortal bond.

The poet's homeland is precisely Russia, and everything Russian is treated kindly by his loving gaze, and there is no other reality for the poet. In his love for his native land, tenderness and sadness sound. Here there is no exaltation of only Russian, there is no opposition of native and beloved Russia to other countries, territories and peoples, there are no notes of nationalism and chauvinism. This is especially important to emphasize in the 90s, when some poets declared their love for the Motherland their special merit, made the glorification of Russia the sole content of their poems.

The feeling of love for the native land is, in essence, a biological feeling, it is characteristic of many animals and birds, it is characteristic of almost every person - a poet should not consider love for his homeland a special merit, make patriotism the only content of poetry; all the more dangerous are the excessive praises that develop into nationalism and chauvinism. History of the XX century. knows the tragedies of genocide these emotions are fraught with.

In our literature, there are many great writers who have brought immortal values ​​to Russian culture. The biography and work of Nikolai Rubtsov are of great importance in the history of Russia. Let's talk in more detail about his contribution to literature.

The childhood of Nikolai Rubtsov

The poet was born in 1936, January 3. It happened in the village of Yemets, which is located in the Arkhangelsk region. His father was Mikhail Andreyanovich Rubtsov, who served as a political worker. In 1940 the family moved to Vologda. Here they met the war.

The biography of Nikolai Rubtsov has many sorrows that befell the poet. Little Kolya was orphaned early. My father went to war and never returned. Many believed that he was dead. In fact, he decided to leave his wife and moved to a separate house in the same city. After the death of his mother in 1942, Nikolai was sent to Nikolsky. Here he studied at school until the seventh grade.

The poet's youth

The biography and work of Nikolai Rubtsov are closely intertwined with his hometown of Vologda.

Here he met his first love - Henrietta Menshikova. They had a daughter, Lena, but their life together did not work out.

The young poet entered the Forestry College of the city of Totma. However, he studied there for only two years. Then he tried himself as a stoker in the trawl fleet in Arkhangelsk. Then he was a handyman at the Leningrad training ground.

In 1955-1959, Nikolai Rubtsov served in the army as a senior sailor. After being demobilized, he remained to live in Leningrad. He was accepted to the Kirovsky plant, where he again changed several professions: from a locksmith and a stoker to a burdener. Carried away by poetry, Nikolai entered the Moscow named after Gorky in 1962. Here he met Kunyaev, Sokolov and other young writers who became him. It was they who helped him publish his first works.

At the institute, Rubtsov has difficulties. He even thinks of quitting his studies, but his like-minded people support the poet, and already in the 60s he published the first collections of his poems. The biography and work of Nikolai Rubtsov during his institute life clearly convey to the reader his feelings and emotional mood.

Nikolai graduated from the institute in 1969 and moved to a one-room apartment, his first separate home. Here he continues to write his works.

Published works

Since the 1960s, Rubtsov's works have been published at an enviable speed. In 1965, a collection of poems "Lyrics" was published. In 1969, the Star of the Fields was printed behind it.

With a break of one year (in 1969 and 1970) the collections "The Soul Keeps" and "Pine Noise" are published

In 1973, after the death of the poet, The Last Steamer was published in Moscow. From 1974 to 1977 three more editions appeared: "Selected Lyrics", "Plantains" and "Poems".

Songs based on poems by Nikolai Rubtsov became very popular. Every inhabitant of our country is familiar with “I will ride a bike for a long time”, “It’s light in my room” and “In moments of sad music”.

Creative life

Nikolai Rubtsov's poems have something in common with his childhood. Reading them, we plunge into the calm world of Vologda life. He writes about home comfort, love and devotion. Many works are dedicated to the wonderful time of the year - the autumn season.

In general, the poet's work is filled with truthfulness and authenticity.

Despite the simplicity of the language, his poems are vast and powerful. Rubtsov's syllable is rhythmic and has a complex fine structure. In his works, one can feel love for the Motherland and unity with nature.

The biography and work of Nikolai Rubtsov ends abruptly and absurdly. He dies on January 19, 1971 during a family quarrel at the hands of his bride Lyudmila Derbina. The investigation established that the poet died from strangulation. Derbina was sentenced to seven years in prison.

Many biographers are of the opinion that Nikolai Rubtsov predicted his death, having written about it in the poem "I will die in Epiphany frosts."

A street in Vologda is named after the writer. Monuments have been erected to him in several cities of Russia. Rubtsov's poems still enjoy great love among readers of all ages. His works remain relevant in our time, because love and peace are always needed by a person.

The poetry of Nikolai Rubtsov has an enviable readership. Many readers, publicists, critics, literary critics, performers strive to reveal the secret of the poet's popularity, attractiveness and nationality of his works. "The singer of the Russian soul", "the worthy son of the Fatherland", "Yesenin's heir", "the great Russian poet" - these definitions have become a commonplace in discussions about Nikolai Rubtsov.

The poet is close to a modern person with his attitude, his "bright sadness" instills joy for today and faith in a better future. This explains the demand for his poetry today. Let's consider the keywords of his program works. The number of keys for consideration in the lesson depends on the age characteristics of students' perception, on the level of their literary development and on the tasks set.

Let's turn to the poem "The Star of the Fields". Here, the title of the work may be the key to analysis. The title is the strongest position of the text. This is the discovery of a work of art, the name of the text, the first thing the reader sees. The analysis of a work of art from the title is of a “point” nature, that is, it will attract various elements of the text that are meaningful. In the process of such analysis, various semantic shades of words, phenomena, situations will be clarified, which will help to penetrate into the subtext of the work.

The very title of the poem is reminiscent of the North Star. In winter, it is especially noticeable over Nikola, in the poet's homeland: "only here, in the icy darkness, does it rise brighter and fuller." The poetic image of the "star of the fields" is a guiding star, the guardian angel of the Motherland. It resembles a Christmas star. The text from the second chapter of the Gospel of Matthew reads: "And behold, the star that they saw in the east walked in front of them, when at last it came and stopped over the place where the Child was."

According to a contemporary of the poet, Rubtsov first read the "Star of the Fields" in the early 1960s, during the days of Christmas, saying that poetry is "the return of words to their original meaning." When comprehending the words of the poet, I recall the text from the first chapter of the Gospel of John: "In the beginning was the Word, and the Word was with God, and the Word was God." The semantic role of verbs in Rubtsov's poems is significant. “The star of the fields” is a living character: it “stops and looks”, “burns”, “burns without fading away”, “rises”. Let's highlight the key words of the poem that we will find in other works of the poet: star, dream, homeland, burning, quietly, happy.

Each original author has his own ways of “creating key words, filling them with figurative and symbolic content, establishing an internal connection between the generalized meaning and the subject-everyday meaning of other words in the context of the whole. In all this, a special warehouse of the writer's artistic thinking is manifested. " Some of the poet's poems, including "The Star of the Fields", are named after the first words of the text. This underlines the correctness of our chosen path of analytical work. Such are the textbook works "My Quiet Homeland" and "In the Upper Room".

Nikolai Rubtsov is considered the most prominent representative of the trend in poetry of the 1960s, conventionally called "quiet lyrics". The poet's word quietly (quiet, quiet) gives rise to a special feeling: a "quiet light" flashed, the star of the fields burns "quietly over the hill", "Residents quietly answered, / The baggage train drove quietly." Lyrical mood is also created by words close to the concept of "silence": deaf meadows, dozing herd; a small farm that dozed off happily; over eternal rest; the whisper of willows, the rustle of green foliage; Phil! What is taciturn ?; silently brings water.

In the poem "My Quiet Homeland" the word is quietly encountered five times. This is typical for a poet: key words are often repeated in his poems, they are associated with the figurative fabric and tonality of the work. Quiet does not mean deserted, indifferent. At home, it is easy to breathe, one can feel the serenity and "the most burning, most mortal connection" "with every hut and cloud." And most importantly - “happiness is here: / Russia, children, and nature, / And painstaking rural work! ..” (“My nature called me”). This idea of ​​happiness runs through the entire work of N.M. Rubtsov as a continuous thread. A calm, measured life in the world of work and caring for one's neighbor was the poet's dream, and it was not given to come true.

The poem "In the Upper Room", as noted, includes the keyword silent, close to the concept of quiet. Here it has a different connotation. It is through silence that events are transferred from the ordinary worldly dimension to the mysterious. "As the hero of a fairy tale, falling asleep, steps from one reality to another, so in Nikolai Rubtsov's poems, a wonderful dream, enveloping the earthly space, reveals another, eternally existing kingdom." It is essential that mother does not answer.

So it was in the draft version of the poem "On a Starry Night", where the lyric hero addresses his mother with the question: "Mother, what time is it? / Why are you going away? / Do you remember, for the umpteenth time / Earthly night shines for us? " The complete absence of sound is typical of the image of the other world, since "silence is a form of ritual behavior correlated with death and the sphere of the other world."

And other key words of the poem are typical for the poetic speech of N.M. Rubtsov: light, stars. Again, the verbs are essential: take, rot, doze, will, I will water, think, tinker. Many beliefs are associated with water from springs and wells. One of the interpretations of sleep: getting water from a well means drawing wealth. Perhaps that is why the last quatrain is different in mood, gives hope for better changes.

“Every poem is a blanket stretched out over the edges of a few words. Because of them there is a poem ”(A. Blok). This characteristic can also be attributed to the keywords of the poetic work.

So, in Nikolai Rubtsov's poem "Russian light", the key words are living (life), light (and a similar light), goodness, love, pay off, burn. They, repeating themselves and revealing their polysemy in different phrases and sentences, constitute the semantic core of the poetic work: "one alive", "... there was little life in the dull look"; "Quiet light", "white light", "For all good we will pay with good, / For all love we will pay with love ...", "a modest Russian light"; "... in an alarming anticipation you burn ...", "You burn, you burn like a kind soul, / You burn in the darkness - and you have no peace."

Note also that the "Russian light" burns like the "star of the fields". He is endowed with a "good soul", that is, the ability to think, feel and act. Words denoting action, as we see, have a leading meaning in Rubtsov's poetic speech.

This is evident in the poem "The Old Road", along which "July days go by," "the heat is ringing," "the dust is slumbering," "The soul, like a leaf, rings, echoing / With all the ringing sunny foliage ...". The events of past times imply the division of time into the past (“here the Russian spirit took place in centuries”), the present (“and nothing happens on it”) and the future (“but this spirit will go through the centuries”). Let's take a closer look at two lines:

For all good we will pay with good,
For all the love we will pay with love ...

One of the signs of keywords is considered to be their "accent" nature (emphasis) and frequency of use. These lines contain the key words of the poem, each repeated twice. It would be strange if the Russian poet called for payment for goodness and love in some other way. Nevertheless, there is a deep meaning here. Let's single out the word we will pay off while reading ... The very need to respond to kindness and love, not to remain indifferent to people - this is a poetic expression of the author's active life position and an intuitive approach to the Orthodox faith.

Key words enhance the semantic capacity of the work, expand the pictorial possibilities of artistic speech, and help the reader to penetrate the depths of the subtext of the work. They can be in the title, in the first lines of a work, in especially important episodes, at the end, they can be evenly distributed throughout the text. They enter the subconscious, which forms the basis of perception and understanding of the work. In lyric essays, keywords can be considered interrelated in the context of the entire work of the author. We traced this on the example of N.M. Rubtsov's poems.

In addition, the key words of N. Rubtsov's poetry can be considered as key words of the Russian mentality. This refers to the vocabulary that expresses the basic concepts and symbols that determine the ideas and representations of the traditional Russian national worldview and worldview.

Several groups of such words can be distinguished (on a thematic or subject-conceptual principle): “1) words denoting concepts and objects of traditional folk life, mainly peasant (house, estate, land, family, owner, etc.); 2) words denoting the basic concepts of Russian statehood and social life (state, homeland, fatherland, state, people, conciliarity, peace, artel, etc.); 3) words denoting the peace of the Russian soul and folk ethics (God, truth, conscience, justice, compassion, mercy, patience, repentance, etc.). "

The listed groups of words are not closed series and can be presented with varying degrees of detail. The specifics of the national Russian mentality (in its historical past and in the present state) are reflected in the peculiarities of the meaning of these words, their relationships with words similar and opposite in meaning, their compatibility and use. Naturally, such words-concepts, which occupy a significant place in the system of value concepts, in the spiritual world of the people and the individual, require special attention and close study.

In Nikolai Rubtsov we meet such words-concepts: land, hut, village, village, homeland, people, beauty, Lord, soul, spirit, temple, cathedral. Characteristically, his native land is portrayed in his lyrics as "the mysterious space of God's world." One of the poet's poems is called "The Secret". Man's attitude to the natural world as to the greatest secret is characteristic of the Russian religious type of consciousness.

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Born on January 3, 1936 in the village of Yemetsk, Arkhangelsk Region. In 1940 he moved with his family to Vologda, where the Rubtsovs were caught in the war. According to some sources, Nikolai's father, Mikhail Adriyanovich Rubtsov (1900-1963), went to the front and died in 1941, according to other sources he left his family and lived separately in Vologda after the war. In 1942, his mother died, and Nikolai was sent to the Nikolsky orphanage of the Totemsky district of the Vologda region, where he graduated from the seven classes of the school. His daughter Elena was born here in a civil marriage with Menshikova Henrietta Mikhailovna.

From 1950 to 1952, the future poet studied at the Totem Forestry Technical School. Then from 1952 to 1953 he worked as a fireman in the Arkhangelsk trawl fleet of the Sevryba trust, from 1953 to 1955 he studied at the mining and chemical technical school of the Ministry of Chemical Industry in Kirovsk (Murmansk region). Since March 1955 Rubtsov was a handyman at an experimental military training ground.

From October 1955 to 1959 he served in the Northern Fleet (with the rank of sailor and senior sailor). After demobilization, he lived in Leningrad, working alternately as a locksmith, fireman and burdener at the Kirov plant.

Rubtsov begins to study in the literary association "Narvskaya Zastava", gets acquainted with young Leningrad poets Gleb Gorbovsky, Konstantin Kuzminsky, Eduard Shneiderman. In July 1962, with the help of Boris Taigin, he published his first typewritten collection, Waves and Rocks.

In August 1962 Rubtsov entered the Literary Institute. M. Gorky in Moscow and met Vladimir Sokolov, Stanislav Kunyaev, Vadim Kozhinov and other writers, whose friendly participation helped him more than once in his work and in publishing poetry. Problems soon arose with his stay at the institute, but the poet continues to write, and in the mid-1960s he published his first collections.

In 1969, Rubtsov graduated from the Literary Institute, received the first separate one-room apartment in his life.

In a state of alcoholic intoxication, he died on January 19, 1971 (on the day of Epiphany) in Vologda on Yashin Street in house number 3, as a result of a family quarrel with the aspiring poetess Lyudmila Derbina (Granovskaya), whom he was going to marry (on January 5, they submitted documents to the registry office ). The judicial investigation established that the death occurred as a result of strangulation. Lyudmila Derbina was sentenced to 7 years. Biographers mention Rubtsov's poem as predicting the date of his own tragic death.

In her subsequent memoirs and interviews about this tragic incident, Lyudmila Derbina expressed a hypothesis according to which death Nikolay Rubtsov could have happened as a result of a heart attack that happened. It is possible that a very strong emotional experience and alcoholic intoxication could contribute to this.

He was buried in Vologda at the Poshekhonskoye cemetery.

The Vologda "small homeland" and the Russian North gave him the main theme of future creativity - "ancient Russian originality", became the center of his life, "the land ... sacred", where he felt "both alive and mortal."

His first compilation was released in 1962. It was called Waves and Rocks. The second book of poems "Lyrics" was published in 1965 in Arkhangelsk. Then the poetry collections "Star of the Fields" (1967), "The Soul Keeps" (1969), "Pine Noise" (1970) were published. The Green Flowers, which were being prepared for publication, appeared after the poet's death.

Rubtsov's poetry, extremely simple in its style and theme, associated mainly with his native Vologda region, has a creative authenticity, internal scale, and a finely developed figurative structure.

Particularly famous are songs based on his poems, "I will drive the bike for a long time", "In moments of sad music",.

Nikolai Rubtsov himself wrote about his poetry:

I will not rewrite
From the book of Tyutchev and Fet,
I will even stop listening
The same Tyutchev and Fet.
And I will not invent
Himself special, Rubtsova,
I will stop believing for this
In the same Rubtsov,
But I am with Tyutchev and Fet
I'll check the sincere word
So that the book of Tyutchev and Fet
Continue with Rubtsov's book! ..