Love in the works of Tyutchev. The theme of love in the lyrics of F.I. Tyutchev. Tyutchev's love lyrics

Almost no one knows the face of the young Fyodor Tyutchev. In the portraits, he is already in his declining years with serious sad eyes, sparse gray hair, a high forehead, long fingers, dry lips. So, in fact, Tyutchev came into poetry - serious and mature. His debut is considered to be the publication of 24 works in the 3rd and 4th books of Sovremennik in 1836.

What were the main motives of Tyutchev's lyrics? What is the place of feelings in his work? As the most striking example of the expression of the feelings and experiences of the hero in poetry, the article will give the "Denisiev cycle". It is in the works included in it that the features of Tyutchev's lyrics are most clearly and accurately conveyed.

First wife

Tyutchev left Russia at the age of nineteen, going to Munich. There he met Emilia-Eleanor Bothmer. In 1826 he married, subsequently becoming the father of 3 daughters. By the end of 1837, Tyutchev was appointed senior secretary in Turin. Before that, he visited Russia with his family. From there, Tyutchev went to a new job alone, and left his wife and children in the care of relatives. At first he wanted to settle down in a new place. Eleanor and her daughters sailed on a steamer from St. Petersburg. Not far from the coast of Prussia, a fire suddenly broke out on board. The ship sank. Eleanor behaved heroically - she saved the children. However, all the property of the family went to the bottom. Soon, Tyutchev's wife fell seriously ill from the shock. She died at the close of August 1838. The loss for Fedor Ivanovich was a huge grief. Suffice it to say here that he was completely gray at the age of 35.

Feelings in the work of the poet

Adherents of "pure art" are distinguished by high culture, admiration for the perfection of samples of classical music, sculpture, and painting. They are characterized by a romantic aspiration to the ideal of beauty, a desire to join the sublime, "other" world. Analyzing Tyutchev's lyrics, one can see how his artistic worldview was reflected in his work. His works are permeated with powerful drama, tragic sound. This is all connected with the experiences that Tyutchev experienced in his life. Love poems were born out of suffering, genuine pain, feelings of remorse and guilt, irreparable loss.

"Denisevsky cycle"

The works included in it reveal all the originality of Tyutchev's lyrics. They are considered the highest achievement of romanticism in his work. The works are dedicated to the feeling that the poet experienced in his declining years for Elena Denisyeva. Their romance lasted fourteen years. It ended with the death of Elena Alexandrovna from consumption. In the eyes of secular society, their relationship was shameful, "lawless." Therefore, after the death of Denisyeva, the poet continued to blame himself for causing suffering to his beloved woman, for not being able to protect her from human judgment. Tyutchev's poem "Last Love" very clearly shows deep feelings:

Oh, how in our declining years
We love more tenderly, more superstitiously ...
Shine, shine, parting light
Last love, evening dawn!

The strength with which the lines affect the reader is based on the artlessness and sincerity of the expression of the hard-won deep thought about the transience of the unique great happiness, which, unfortunately, is gone forever. Love in Tyutchev's lyrics looks like the highest gift, a secret. It is out of control, bizarre, exciting. A vague attraction lurking in the depths of the soul suddenly breaks through with explosive passion. Self-sacrifice and tenderness can suddenly turn into a "fatal duel." The death of a beloved woman took away desires, dreams. The colors of life, once bright, faded instantly. All this is accurately conveyed in the comparison that Tyutchev uses. Poems about love, where a person is likened to a bird with broken wings, convey a sense of shock from the gravest loss, impotence and emptiness.

Who was Elena Denisyeva for the poet?

About this woman - the last, secret, painful and passionate love of Tyutchev - almost nothing is known. And at the same time, a lot is known. Elena Denisyeva was the addressee of more than fifteen works written by Tyutchev. The love poems dedicated to this woman have become truly masterpieces, one of the most precious in Russian classical poetry of the 19th century. Such a number of works is a lot for a selflessly loving woman. But this is too little for a heart that has torn itself with feelings. During her lifetime, Elena Alexandrovna was a victim of love, and after her death, Tyutchev himself became a victim. Maybe he gave her too little feelings, but without her, her ardor and tenderness, he could not live.

The attitude of the poet to feelings

Tyutchev himself had a huge need for love. There is no life without her, he was sure of it. But his need was not so much to love as to be loved himself. In the work written by him in the 30th year ("This day, I remember ..."), a new world opened up for the poet. A completely new life began for him. But this happened not because he began to love, but because he felt loved. This is confirmed by his lines:

"Love confession is golden
burst out of her chest...

The world changed the moment the poet found out that he was loved. With such an experience of feelings, the dissatisfaction of those who were tender with him, close to him, becomes more understandable. For him, fidelity took place, but at the same time he did not exclude betrayal (just as betrayal did not reject loyalty). The theme of love in Tyutchev's lyrics is associated with drama, false fidelity, ardor and depth of feelings. All of them passed through the life of the poet, being reflected in his work.

Crisis of perception of feelings

In his bitter confession to Georgievsky, Tyutchev says that, despite the high poetic nature of Elena Alexandrovna, she did not put poetry in general, and his own in particular. Only those works Denisyeva perceived with delight, in which the poet expressed his feelings for her, spoke about them publicly and publicly. That, in his opinion, was valuable to her - that the whole world knew what she was for him. In a letter to Georgievsky, Tyutchev tells an incident that happened during a walk. Denisyeva expressed her wish that the poet should seriously start republishing his works, while admitting that she would be glad to see her name at the head of the publication. But instead of adoration, love and gratitude, the poet expressed disagreement, understanding by her desire some dislike. It seemed to him that this demand was not entirely generous on her part, since, knowing the full degree of belonging (Elena Alexandrovna said "You are my own", referring to the poet), she did not need to wish for any more confirmation in the form of printed statements that could offend other people.

Deniseva's death

The poet's relationship with Elena Alexandrovna lasted fourteen years. By the end of this period, Denisyeva was ill a lot. The letters she wrote to her sister have been preserved. In them, she called Fyodor Ivanovich "my God." They also say that in the last summer of her life, Denisyeva's daughter, Lelya, almost every evening went with the poet to ride on the islands, they returned late. Elena Alexandrovna was both happy about this and saddened, because she was left alone in a stuffy room or her company was shared by some compassionate lady who wished to visit her. That summer, the poet especially sought to go abroad. Petersburg weighed on him - this follows from the correspondence with his second wife. But there, abroad, he suffered that blow, and the poet could not recover from it until his death. Two months after the death of Denisyeva, Tyutchev wrote to Georgievsky that only during the life of Elena Alexandrovna he was a person, only for her and only in her love was he aware of himself.

The life of the poet after the death of Elena Alexandrovna

Denisyeva died in 1864, on August 4. In early October, in a letter to Georgievsky, Tyutchev writes about the immeasurable feeling of "hunger in the hungry." He did not live, the wound did not heal. He felt like an agonizing nonentity, living meaninglessly. This is reflected in Tyutchev's love lyrics. The poems illustrate all the struggle that took place in him after the loss. It should, however, be said that a week after the letter to Georgievsky, the poet wrote lines dedicated to Akinfieva. But this work can only testify to the need for society, especially women's, which, in fact, never left Fyodor Ivanovich. Despite this external sociability, tenderness and talkativeness, emptiness gaped inside. After Denisyeva's death, Tyutchev's love lyrics reflected the deadness of his soul, dull melancholy and the inability to realize himself. But at the same time, the power of Denisyeva's feelings was opposed to living suffering, the inability to feel. All this found expression in the lines about his "suffering stagnation".

At the end of June, Tyutchev admits in a letter to Georgievsky that not a single day has passed without amazement at how a person can continue life, even though his heart has been torn out and his head cut off. Fifteen years have passed since Denisyeva's death. That summer, he commemorated two death anniversaries with his mournful lines. In St. Petersburg on July 15, he wrote "Today, friend, fifteen years have passed ...". On the third of August in Ovstuga he writes lines about the weight of his burden, about memory, about the fateful day.

Sorrow in the works of the poet

Tyutchev was getting worse every day. His relatives noted the irritability of the poet: he wanted more and more sympathy for him. In the next letter, he speaks of a shaky nerve, of an inability to hold a pen in his hand. After some time, the poet writes about how pathetic and vile a person is in his ability to survive everything. But six months later, in verses to Bludova, he writes that "to survive does not mean to live." Later in his lines, he will talk about the torment that his soul experiences.

The death of the poet

Tyutchev was weighed down by the thought of going abroad. He said that it was even worse for him there, this emptiness was even more clearly felt. He wrote to his second wife that he noticed that he was becoming even more unbearable; his irritation is intensified by the weariness that he feels after all the attempts to somehow entertain himself. Years passed. Over time, the name of Elena Alexandrovna disappears from the correspondence. Tyutchev did not have long to live. The poet died in 1873, in July.

Tyutchev's love lyrics in the last years of his life were no longer so filled with feelings. In the lines that he dedicated to various women (in letters to Elena Uslar-Bogdanova, half-joking writings to the Grand Duchess, madrigals to Akinfieva-Gorchakova), only a “glow”, flashes and shadows, a light breath of the poet’s last strong and deep feeling for Elena is expressed. Deniseva. All his poems subsequently were only an attempt to fill the heart emptiness that formed after the departure of the beloved woman.

"Denisevsky cycle" - a miraculous monument to a woman

Elena Alexandrovna inspired the poet for fourteen years. It is difficult now to judge the depth of Tyutchev and Denisyeva's feelings for each other. Their relationship was somewhat strange, incomprehensible to many. But this love was in the life of the poet. It was especially difficult for Elena Alexandrovna - in such cases, as a rule, the light justified the man, and blamed the woman. Despite all the hardships of life, complexity, some sacrifice, torment, everything that Tyutchev's love lyrics (poems) reflected is permeated with tenderness, quivering adoration for each other. The works of this period have become a truly poetic masterpiece of world literature.

The main motives of the lyrics of Tyutchev and Turgenev. Brief comparative characteristic

The features of Tyutchev's lyrics are manifested in the fact that the feeling for him was both bliss, and hopelessness, and tension, which brings happiness and suffering to a person. And all this drama is revealed in the lines dedicated to Denisyeva. Rejecting the narrow subjective consideration of the beloved woman, he seeks to objectively reveal her personality, her inner world. The poet focuses on describing his experiences through penetration into the spirituality of a close woman. Describing the external manifestations of feelings, he reveals her inner world.

The psychological make-up of the beloved in the "Denisiev cycle" is similar to Turgenev's heroines. Both Turgenev and Tyutchev have a feeling - "a fatal duel." But at the same time, the former has a historical and social conditioning of the personality in the sphere of feelings. The psychological situations reflected in Turgenev's works showed a real picture of relations between people in the 1950s and 1960s, an understanding that arose in advanced circles of responsibility for a woman's fate.

In his thoughts about the proportion of women, their character, Tyutchev is close to Turgenev. So, the beloved in the "Denisiev cycle" resembles the heroine of the story "Three Meetings". The state of mind of a woman in the works of Fyodor Ivanovich reflects not only the universal, but also the personal experience of the noble hero of the 50s, illustrated in the narratives of that period in Goncharov, Turgenev. The inferiority of the hero can be traced in woeful self-criticism. In some cases, one can see the textual convergence of Tyutchev's lines with the works of Turgenev, where love suffering is expressed.

Conclusion

Fedor Ivanovich Tyutchev highly appreciated the strength of feelings in a woman. This was the main thing for him. His chosen one in verse appeared as a real heroine of love. The poet leaves her the right to feel, to fight for it. In her love, the heroine reveals herself, her best qualities and abilities. The feeling itself is revealed by the poet both as the inner strength of a person, and as the very relationship that arose between people, but subject to social influence.

The heroes of Tyutchev are people who are not cut off from life, but ordinary, strong and at the same time weak, but unable to unravel the tangle of contradictions. Tyutchev's love lyrics are among the best works of Russian poetic literature. In his creations, the inexhaustible richness of the Russian language is striking. At the same time, Tyutchev is distinguished by his exacting attitude to poetic mastery.

Tolstoy, speaking of the poet, recognizes his artistic talent, his sensitive attitude towards the Muse. He urged young writers to learn this ability to harmoniously combine form and content. The themes of Tyutchev's lyrics over time were saturated with more and more figurativeness and concreteness. The experience of Russian realism did not pass without a trace for the poet. Finishing the era of romanticism, Tyutchev, with his poems, goes far beyond its borders. The poet's work becomes a kind of harbinger of the beginning of an artistic movement that arose at the turn of the nineteenth and twentieth centuries.

Conventionally, all poetic works can be divided into several types, according to their mood and direction. So, for example, there are poems about war, about nature, about love, and many others. In the arsenal of each poet there are many works related to love lyrics and any other direction from those listed. In the work of Tyutchev, for example, you can find a large number of creations on love themes.

The poet sought to talk about the connection between love and nature.

"Oh, how deadly we love" is one of my favorite poems. Creation is one of the characteristic examples of the poet's work, so, already at the very beginning, the reader can recognize the theme of the poem, which is love. Love rules the world, love rules people. Love is not always inspiring and alluring, sometimes it can harm or even destroy a person. Here is what I think the author wanted to convey. Thus, showing the reader this bright feeling from different angles, making it clear that love must be handled with care so that it does not harm you.

"She was sitting on the floor" - the theme of love can be seen here as well as possible, perhaps not the most cheerful, but nevertheless with a pronounced love message.

The author tries by all means to reveal the true essence of love. the theme of this poem is memories of parting with a loved one, the problem of memories, the problem of memory - they are revealed in this work. The lyrical hero literally destroys everything that could remind of failed love, but it is not as easy to throw out a feeling from the soul as it is from paper. Forget her, destroy the memories of the time when you were good. "I MET YOU - AND EVERYTHING WAS" - a poem showing love as a wonderful and unearthly feeling. so Tyutchev depicts a burning image, which is the power of love.

Thus, the theme of love in the poet's work is presented ambiguously. Love relationships in the life of the poet were reflected in his works, so the poet shows through his creations all the suffering that he experienced and all the joy associated with a great feeling - love.

Fedor Ivanovich Tyutchev is a Russian poet of the 19th century, a contemporary of Pushkin, Lermontov, Nekrasov. A distinctive feature of his poetic worldview is the philosophical understanding of those artistic tasks that the poet set himself. He is rightfully considered a subtle lyricist, and his creative heritage should always be considered in connection with his philosophical worldview.

The theme of love in Tyutchev's poems is presented in connection with such key concepts as "fate", "rock", "predestination", "passion". The feeling is born, like a spring wind, and captures lovers with charm. But Tyutchev often refers not to the present tense, but to the past. The "past" worries the poet more. Poems written in his declining years are conditionally combined by specialists into one cycle, called Denisevsky (after Denisiev, to whom the poet dedicated many poems). The main themes of the cycle are self-sacrifice, love, the suffering of the Russian soul, “fatal passions”. The poet perceives the “past” as the best years, “golden time”, warming the hero even through the years with its warmth. A special state is caused in the soul by the experience of meeting after a long separation from the woman with whom he was once in love. This "spiritual fullness" makes "life speak again" ("I met you, and all the past ...").

In the poem "Predestination", the poet defines love, according to legend, as the union of two souls that acquire kinship. Two souls combine, merge and must know true happiness, but here two lovers are in trouble. Tyutchev believes that hearts come into conflict and amaze each other with "fatal passions":

And who is in excess of sensations,

When the blood boils and freezes,

I did not know your temptations - Suicide and Love!

("Twins")

The fatal turning point in the history of love comes, of course, at the moment of separation of the lovers. Moreover, the poet often gives us the opportunity to think about the ending of a passionate feeling:

In separation there is a high meaning:

No matter how you love, at least one day, at least a century,

Love is a dream, and a dream is a moment

And early or late, or awakening,

And the man must finally wake up...

(“In separation there is a high meaning ...”)

Philosophical miniature became a special form of poetry precisely with Tyutchev; before him, quatrains with their concentration of meaning and economical form were used to compose satirical poems - epigrams. Such a high, like Tyutchev's, use of miniature, that is, philosophical maxims, made the poet's work unique in its kind. After all, it was Tyutchev who revealed the poetic potential of the quatrain.

Whoever you are, but when you meet her,

Soul pure or sinful

You suddenly feel alive

That there is a better world, a spiritual world.

Thus, love between a man and a woman raises lovers to a new level of being, where external manifestations go into the background, and the souls of lovers open the veil of the spiritual world.

Tyutchev's image of the spiritual world as a whole echoes precisely with elemental entities - spirits, the elements of fire, wind, and the sea element. Tyutchev sees love precisely as an element, which a person cannot control, he can only be attracted by this element. Such an attraction has two outcomes: “early or late, or awakening” or the heart “finally languishes”.

And yet, Tyutchev finds the attraction in the direction of "fatal passions" inevitable and natural, like everything in nature. Comparing love with spring warmth, Tyutchev already gives a positive assessment of this feeling: “Or is it spring bliss? .. Or is it female love? ..” (“The earth still looks sad ...”). The tenderness of feeling evokes associations with spring, youth, the awakening of life-giving currents inside plants and trees. In the same way, in a person, “blood boils”.

Consider the poem "Last Love", written by Tyutchev in the early 50s of the XIX century, that is, relating to the third period of the poet's work. The feeling of the tragedy of being haunts the poet. In this poem, the lyrical hero exclaims: “Shine, shine, farewell light of last love, evening dawn!” The hero asks the evening day - the image of the last years of life - to slow down and prolong the charm. But the sky (the image of life itself) is covered by a shadow (the approach of death). Tyutchev calls the last love in life bliss and hopelessness:

Let the blood run thin in the veins,

But tenderness does not fail in the heart ...

The last period of creativity is characterized by a shock to the foundations of Tyutchev's worldview, the picture of the world of the modern poet is rapidly changing, the romantic direction in art is weakening. In fact, Fyodor Tyutchev completed the period of romanticism in Russian literature, adequately presenting it in the treasury of the world's lyrical and philosophical heritage.

Throughout his career, F.I. Tyutchev created magnificent poetry about love. In my opinion, the reason for the strong emotional coloring of the poet's love lyrics lies in its autobiographical nature. Tyutchev's love lyrics can be read as a kind of intimate diary, which reflected his stormy romances with Ernestina Dernberg and E.A. Denisyeva. However, this is a special kind of autobiography: there are no direct references to the names of the poet's beloved in the poems.

Tyutchev's love is almost always a drama, a fatal duel of unequal human forces. This feeling is incomprehensible, mysterious, full of magic. But the happiness of love is short-lived, doomed not to withstand the fatal blows of fate. Moreover, love itself can be interpreted as a sentence of fate:
Fate's terrible sentence
Your love was for her.

Love, thus, is associated with suffering, longing, mental pain, tears. The poet appears before us as a passionate, captivating personality, a man with a warm, loving heart. He persistently repeats the epithet "fatal passion", "fatal meeting", "fatal merger", "fatal duel". In the poem, which is part of the famous "Denisiev cycle", love is called "deadly". It is in the poems dedicated to Elena Alexandrovna Denisyeva that the poet's "blissfully fatal" love is revealed.

In the poem “Oh, how deadly we love…”, the device of the ring composition emphasizes the idea of ​​the murderous power of love. Two identical stanzas reinforce the sense of the personal tragedy of the lyrical hero; in the words of the poet, a terrible prediction sounds - about the death of a loved one. Inside the hopelessness and doom of the form of the poem, imbued with pathos, there is a story about the consequences of “violent blindness of passions”. The lines that create the frame have become an aphorism. They exist outside the poem, because they contain a deep sad thought in its emotional coloring, expressed with incredible power:
Oh, how deadly we love
As in the violent blindness of passions
We are the most likely to destroy
What is dear to our heart!

The exclamation mark at the end of the stanza is not only a means of expressing expression, it also indicates the inevitability of the death of deep, selfless, passionate love. The inevitable parting gives tragedy to love, the thought of the inevitable parting lies at the very foundation of this lofty and unearthly feeling. The lyrical hero suffers incredibly, because he, unwillingly, becomes the cause of a spiritual tragedy, the death of his beloved woman. Rhetorical questions and exclamations are a vivid artistic tool that can convey the strongest changes that have occurred to a woman who has managed to love so selflessly, to love to complete self-denial:
Where did the roses go,
The smile of the lips and the sparkle of the eyes?

The lyrical hero bows before the beauty of a woman and before the power of her passion. The rhetorical exclamation "A life of renunciation, a life of suffering!" contains the thought of the fatal fate of a woman in love to self-forgetfulness. These lines have also become winged, they contain a deep generalizing meaning. Also in the poem, Tyutchev uses his favorite method of opposition. On the one hand, we see a “crowd” that is capable of trampling the most beautiful spiritual movements into the mud. In this case, the crowd is a symbol of cruel public opinion, based on the condemnation of any manifestation of human behavior outside the boundaries accepted by the morality of this society. It is precisely such a “crowd”, hostile to the natural manifestation of strong emotions, that delivers a “terrible sentence”, invades the sacred, stigmatizes with “undeserved shame” and dooms a person to incredible mental anguish. The word “pain” is repeated several times in the poem, it is it that determines the state of the beloved woman, from which she can no longer get out, which will always accompany her in a state of love:
Pain, the evil pain of bitterness,
Pain without joy and without tears!

The lyrical hero experiences an unceasing sense of guilt in front of his beloved for the “fatal meeting” that took place, for the fact that he unwittingly became the executioner of his beloved, a blind instrument of fate. The dramatic love story in this work was not only a reflection of Tyutchev's private life. The poetic gift of the lyricist expanded the boundaries of the love story. Subtle psychologism, deep emotions made this poem the property of Tyutchev's love lyrics, reflected in the inner life of every reader.

In the last years of his life, Tyutchev's lyrics affirmed the idea that love, even tragic, is a symbol of true human existence, without which life is unthinkable. In the love lyrics of Tyutchev, the complex life of the heart can be traced. According to Tyutchev, only love can be saved even "in deep old age", only in love lies the meaning of human existence.

The theme of love in the lyrics of F. I. Tyutchev

Fedor Ivanovich Tyutchev was a controversial person. He always felt very painfully his own duality, his soul split in half. This personality trait was especially pronounced in love lyrics.

The novel by Tyutchev and Elena Denisyeva became the basis of many of the poet's poems. They are confessions of love. Later, critics singled out these works in a separate cycle, which they called "Denisevsky".

Love appears to us here in its tragic essence. This is “suicide”, “bliss and hopelessness”, “fateful duel”. Love develops - the happiness of peace disappears, suffering begins:

Do not say: he loves me, as before,

Me, as before, cherishes ...

Oh no! He destroys my life inhumanly,

Though, I see the knife in his hand is trembling.

Loving relationships are complex, feelings are extremely contradictory. They can not live without each other, but together it is very difficult for them. Shocked by this contradiction, the hero exclaims:

Oh, how deadly we love

As in the violent blindness of passions

We are the most likely to destroy

What is dear to our heart!

The whole misfortune of man is that he cannot resist passion. Love is an element similar to the sea or fire. It cannot be prevented or stopped. Therefore, Tyutchev sometimes portrays passion as a real disaster:

He measures the air for me so carefully and meagerly...

They don’t measure like this to a fierce enemy ...

Oh, I'm still breathing painfully and hard,

I can breathe, but I can't live.

Such passion is the death of a man. But the worst thing, as the poet writes, is to see the torment of a beloved woman, which is always stronger than one's own. Tyutchev notes with pain:

How long have you been proud of your victory?

You said she's mine...

A year has not passed - ask and tell,

What is left of her?

The poet condemns himself. He is to blame for many things. For fourteen years, Tyutchev led a double life, leaving neither his wife nor his girlfriend. Secular society brutally interfered in their relationship with Denisyeva, insulting and defaming the poor woman in every possible way. The poet's beloved suffered greatly. Here is how he writes about it:

Fate's terrible sentence

Your love was for her

And undeserved shame

She lay down on her life!

Of course, not only suffering brought passion to those who love. In their lives there were moments of genuine happiness, bliss. Here is what the poet tells about his feelings in the poem "Last Love":

Oh, how in our declining years

We love more tenderly and more superstitiously ...

Shine, shine, parting light

Last love, evening dawn!

However, there were much more dramatic moments in the relationship between Tyutchev and Denisyeva. For example, here's an episode:

She was sitting on the floor

And sorted out a pile of letters -

And, like cooled ashes,

I took them in my hands and threw ...

The poet likens love letters to the ashes of burnt passion. The lyrical heroine of the poem is in a strange state. It probably seems to her that everything that happened in the past did not happen to her:

I took familiar sheets

And she looked at them so wonderfully -

How souls look from above

On their abandoned body...

The hero is sad to see her like this. But he is not able to change the situation, therefore he is forced to observe his beloved, expressing only spiritual participation and noting to himself:

Oh, how much life was here

Irrevocably experienced!

Oh, how many sad minutes

Love and joy killed!..

The bifurcated epithet in this stanza affirms the inevitability of a break between the lovers, but it was not the loss of feelings that separated them, but the death of Elena Denisyeva from consumption. Remembering her last hours, Tyutchev creates one of the most mournful poems in the cycle:

All day she lay in oblivion,

And shadows covered it all.

Lil warm summer rain - its jets

The leaves sounded merry.

The life of nature goes on, it is so beautiful, and the poet's beloved inevitably fades away. Madly sorry for her, but we sympathize more with the lyrical hero, who has yet to survive the death of his beloved:

And so, as if talking to myself,

Consciously she spoke

(I was with her, killed, but alive):

“Oh, how I loved all this!”

The final line is the climax of the poem. This is the last declaration of love for the world and for a loved one. "Oh my God! - exclaims the hero, - and survive this ... And the heart did not break into pieces "...

Tyutchev's love lyrics are striking in their psychological depth and expressiveness of the female image, endowed with individual traits.

Bibliography

For the preparation of this work, materials from the site http://www.coolsoch.ru were used.