State Museum of Political History. Museum of Political History of Russia: interactive exhibition in a modernist mansion. State Museum of Political History of Russia

The mansion, which today houses the Museum of Political History, was built in 1906 by order of the ballerina Matilda Kshesinskaya. The building was designed by the architect of the imperial court, Alexander von Gauguin. By the way, he supervised the construction of the cathedral mosque, which is located next to the mansion - both buildings belong to the northern modern style.

In fact, the museum occupies not one, but two mansions, united by a common building. The second belonged to entrepreneur Vasily Brant, who moved into his newly built mansion in 1911. Brant was rumored to be in love with Kshesinskaya and moved to be closer to her.

In 1917, both mansions were abandoned by the owners. The rooms where Sergei Diaghilev, Fyodor Chaliapin, Isadora Duncan and the Grand Dukes of the Romanovs used to visit were occupied by the Bolsheviks - Lenin read out the April Theses from the balcony. The ballerina tried to return the mansion through the court and even won the case, but the decision was not executed, because the new guests simply refused to leave.

What to see in the museum

In 2013, after ten years of preparation, a new permanent exhibition of the museum was opened - "Man and Power in Russia in the 19th - 21st Centuries". The space is divided into 12 thematic sections dedicated to key events in Russian history from the Patriotic War of 1812 to perestroika in the 1990s. In addition to historical documents and objects, the exposition includes art objects and interactive elements. For example, you can hear a recording of Leo Tolstoy's voice or listen to songs from the Civil War.

It is also worth getting inside for the sake of the interiors that Kshesinskaya herself came up with. Behind the glass bay window, which attracts the attention of passers-by along Kronverksky Prospekt, there is a winter garden. In front of it is the main room of the mansion, where the ballerina gave receptions - the White Hall. Here there were famous guests, and once an elephant was hidden in the rotunda between the hall and the garden. Matilda invited trainer Durov to give a Christmas performance for her son Volodya. Durov arrived at the mansion with an elephant wrapped in a checkered blanket.

Who to go with

With kids: the museum has programs both for the little ones and for schoolchildren of all ages. You can book an excursion and visit the zemstvo school as a whole class, you can sign up for one of the classes, or you can just walk around the museum with the whole family.

With parents and grandparents: going to this museum is a good opportunity to talk with older family members about their historical experiences. There are halls dedicated to the Soviet era, the Great Patriotic War, perestroika, so even the youngest parents will have something to tell about their childhood and youth.

What else

The site has interesting features developed by the museum cycling routes, which start from the Kshesinskaya mansion.

The museum hosts many events - concerts, tours, lectures. Subscribe to social networks to learn about them.

What to see in the area

Right next to the museum is the main Russian Empire, and a little further away -, and. If you want to continue immersing yourself in political history, go to the House of Political Prisoners on Trinity Square: a constructivist commune house was built for the families of prisoners of tsarism. Many residents later became victims of another regime - Stalin's, in honor of them in 1990, the Solovetsky stone was placed on the square. And if you decide to properly understand the device of the northern modern style, in addition to the mosque and the Kshesinskaya mansion, consider an apartment building on Kamennoostrovsky Prospekt, 1. The famous architect Fyodor Lidval, the author of the Astoria Hotel, built it for his mother Ida Lidval.

Where to eat near the museum

You can have a hearty and inexpensive lunch after a long walk at. The menu includes khinkali (from 180 rubles for 3 pcs), ravioli (from 280 for 5 pcs), yaki-gedza (from 150 for 5 pcs) and other analogues of dumplings from all over the world. It is best to discuss the ups and downs of Russian history over a cup of coffee in, located right in the grotto of Alexander Park. And if you want something exotic, there is a place on Kuibyshev Street where you can try, for example, tteokpoggi (rice sticks in a spicy sauce with cheese, 260 rubles) or kanjong (spicy and sweet fried chicken fillet, 300 rubles).

If politics in Russia is rather ambiguous, then the museum of political history is definitely impressive and worth the time. How did the Empire develop during its heyday? What was said on the sidelines of the Kremlin? And why did Russia change its form of government twice in one century?

Short description

State Museum of Political History of Russia is located on Petrogradsky Island and occupies two mansions at once - the houses of M.F. Kshesinskaya and V.E. Brant. The museum is in charge of huge museum collection covering the political history of Russia from the reign of Catherine II to the present day. Also for visitors valid separate exhibition, dedicated to the ballerina Matilda Kshesinskaya, whose house witnessed the speeches of V.I. Lenin before the assembled people.

The museum collection has unique exhibits, such as:

• briefcase of Reichsmarschall G. Göring
• E. A. Furtseva's dress
• concert outfits of M. F. Kshesinskaya
• a camera on which M. S. Gorbachev’s video message to people in “Faroese captivity” was recorded
• a portrait of Nicholas II, which hung in the Winter Palace and was pierced by the bayonets of the rebels on the day of the assault

Story

Museum of the Revolution

The idea of ​​creating the Museum of the Revolution originated long before the Revolution itself. The first exhibit of the museum was a defective banknote, one of many that the Bolsheviks forged in Europe and transported to Russia for the needs of the revolution. It was corked up in a bottle and buried near the secret dacha of the Bolsheviks in Finland. Already in the 30s, N. Burenin, while in Finland, dug up a bottle with a banknote and handed it over to the Museum of the Revolution.

The February Revolution was followed by a period of relative calm, and in the Winter Palace, where meetings of the Society for the Memory of the Decembrists were already held, there was decided to make the Palace of the Revolution. However, the October Revolution soon came, and with it the Civil War, so the idea of ​​​​a museum had to be postponed until better times, namely until 1919.

In the spring of 1919, in Petrograd, which was being attacked by the army of the White General N. N. Yudenich, a meeting was held, the main theme of which was the creation of the Museum of the Revolution. According to the approved Regulations, it was decided to create such museums in two capitals - Moscow and Petrograd- and several in individual provinces throughout the country.

The tasks of these museums were:

• collection, storage and exhibition of monuments of the Revolution
• guarding the graves of revolutionaries, keeping them clean
• installation of identification marks and tombstones

October 9, 1919 of the year counts official opening day State Museum of the Revolution. Main Museum the most significant period of that era opened in the most historically significant place for this - Winter Palace. The museum's collection was a monument to the revolutionary activities of all parties, not just the Bolsheviks. Exhibits flocked to the museum from all over the country, the masses were connected to this, and not just the ruling elite. Museums of the Revolution began to open throughout the USSR, and also in Moscow. It is interesting that the Moscow Museum of the Revolution of the USSR in the 70s became the central one, and the Leningrad one, thus, became its branch.

Museum of the Revolution, not without outside help, amassed a unique collection world revolutionary movement. A separate exposition showed visitors flags, posters and propaganda leaflets of the times French Revolution and Revolution in Germany. The museum also exhibited an exposition of modern art objects that reflected the spirit of that time.

Ironically, the Museum of the Revolution saved many memorial and historical sites in Leningrad. The Peter and Paul and Shlisselburg fortresses, the estate of Count A. A. Arakcheev in Gruzino and other cultural monuments became branches of the museum. In 1923, the mansion of M. F. Kshesinskaya, where in 1917 V. I. Lenin lived for 3 months after the February Revolution, opened the exposition “Ilyich Corner”. There in 1936 was the museum of S. M. Kirov was created.

The reforms of the 1930s had a very serious impact on museums. The role of many revolutionary figures was revised, many became "enemies of the people." All exhibits, in one way or another related to them, were withdrawn without explanation.

The role of other parties in the cause of the Revolution was recognized as insignificant, museums were filled with propaganda of the Soviet regime and the "theory of two leaders of the revolution" - Stalin and Lenin.

The historic interiors of the Winter Palace closed, Museum of the Revolution due to its authority and focus, it kept afloat for some time, but after the assassination of Kirov was closed for 6 months. The entire exposition has been revised for compliance with the "correct reflection of historical events."

In the second half of the 30s each new exhibition was carefully selected by party organs. Everything that did not correspond to party propaganda was confiscated, faces from photographs and names from documents were erased. There have been a lot of fakes.

For example, S. V. Spirin's sketch for the painting "Stalin in Exile" required changes "in accordance with the present moment." At the meeting of the Museum, which was necessarily attended by representatives of the party, it was decided that it was necessary to show contempt for Kamenev on the canvas. The artist redid the sketch.

Museum staff themselves falsified information about the exhibits in order to avoid their death in the abyss of a totalitarian regime. The number of enemies of the people grew every day, museum repeatedly closed due to inconsistency with the party program. Not only the museum fund, but also its employees were subject to repression. Museum workers saved some exhibits at the risk of their lives. Until some time, the censors did not notice the corrected names on the sculptures and did not distinguish the Menshevik leaflets from the Bolshevik ones due to their illiteracy in this matter.

Despite resistance, the Museum of the Revolution gradually began to look more like an illustration to the Short Course in the History of the All-Union Communist Party of Bolsheviks. A huge number of exhibits were taken out without a proper inventory. Only during the Great Patriotic War did the party loosen its grip on museums. During the war years, the museum held 123 exhibitions and preserved monuments of the feat of the inhabitants of besieged Leningrad.

After the war for the State Museum of the Revolution the black decade has arrived. Back in January 1945, an order was given to the museum to vacate all the rooms it occupied in the Winter Palace and transfer them to the Hermitage. And although a special commission was created to search for a new building for the Museum of the Revolution, this building was never found. Long for ten years the exhibits were gathering dust in hastily assembled boxes in the backyards of the Marble Palace and the Peter and Paul Fortress.

And again, the entire collection was purged during a new wave of repressions and criminal cases against “enemies of the people”. It was during this black decade Museum lost the bulk of their exhibits —over 100,000.

Museum of the Great October Socialist Revolution

But, as you know, the darkest hour is before dawn. The Stalinist repressions were replaced by the “Khrushchev thaw”, and the museum was revived along with the building donated to it, or rather, with two: the mansions of M.F. Kshesinskaya and V.E. Brant. And immediately fresh intellectual cadres burst in here. It was they who soon headed the museum's research departments and the science of national history. And it was they who initiated the change of name to Museum of the Great October Socialist Revolution.

Exhibition halls were filled and decorated in the shortest possible time, and, as part of the fight against the cult of personality, monuments of repression came into the hands of museum workers: papers stored in family archives, files of political prisoners, etc. But this flow stopped along with the “thaw”.

The Museum of the October Revolution enjoyed great public confidence; received personal items:

• heroes and commanders-in-chief of the Great Patriotic War
• first cosmonauts
• writers
• singers
• actors

Museum staff again began to go on expeditions and collect exhibits from the archives of ordinary citizens.

Soon Khrushchev's political era has come, accompanied by the suppression of dissidents, in particular, the expulsion of Joseph Brodsky and academician A. D. Sakharov from the country, the persecution of A. I. Solzhenitsyn. Commemorative exhibits of this period began to replenish the museum fund only years later, and now they form a separate exposition, testifying to the suppressed cultural surge in the ranks of the intelligentsia.

In the 1970s Museum Great October Socialist Revolution expanded and opened 2 branches. At the moment they are converted and are:

• Children's Museum Center for Historical Education
• Museum of the History of the Political Police and State Security Bodies of Russia in the 19th – 20th centuries

In 1987, on the seventieth anniversary of the Great October Revolution, the Museum prepared the largest exhibition exposition, which consisted of 12 halls. With bated breath, for the first time since the beginning of the century, the exposition included references to Grigory Zinoviev, Lev Kamenev, Alexei Rykov and Leon Trotsky. The party organs did not approve of such an outburst, but they did not interfere with it either, although the official political rehabilitation of these characters had not yet taken place in the USSR. Foreign radio stations unanimously trumpeted: The time has come for serious changes in the USSR.

State Museum of Political History of Russia

First absolute the Museum's victory over the party took place in 1988, When the exposition “Permission to view!” saw the light of day. It includes archival materials prohibited from viewing by the general public. The propaganda department couldn't stop it.

The next resounding success was exhibition “Russia: Terror or Democracy?” to which the public lined up in huge queues. Thanks to exhibits from all over the USSR, transferred from the personal archives of citizens, the light was seen exhibitions devoted to "defectors", Stalin's terror, the Gulag, the uplifting of virgin lands.

It was previously impossible to even hint at such a project, but now the Museum of the Great October Socialist Revolution has felt its power over the minds of people

A few days before the August Putsch, USSR Minister of Culture Nikolai Gubenko gave the museum a new name - State Museum of Political History of Russia.

The renovated museum continued to collect exhibits - evidence of its time. The permanent exhibitions dedicated to Perestroika show appearance in Russia:

• multi-party system
• freedom of speech and press
• capitalism

The Museum of the Political History of Russia today is a modern historical complex that demonstrates evidence of the last centuries of the political life of Russia. No assessments - only facts and different points of view of a particular era in the context of different people and different periods of history.

Here also valid constant exhibition, telling about the owner of the mansion where the museum is located - prima ballerina Matilda Kshesinskaya.

Architecture

Museum of Political History of Russia located in 2 buildings: mansions of M. F. Kshesinskaya and V. E. Brant. Both were built in the 1900s in the then fashionable Art Nouveau style, but they were designed by different people.

For prima ballerina Kshesinskaya the mansion was built by the architect A. I. von Gauguin, who created an elegant building with a bizarre asymmetry of the main objects. The external architectural solution corresponds to the internal one: the different heights of individual rooms correspond to the different heights of the facades, the size and position of the windows also reflect the internal layout.

Entrepreneur V. E. Brant ordered the project his mansion by the architect Robert-Friedrich Meltzer, who generously used forged elements, high reliefs and stained-glass windows in the decor of the building. To the creation of stained-glass windows, among other artists, K. S. Petrov-Vodkin was involved.

With the transfer of these buildings to the museum to them vestibule was added. The architectural elements of the lobby echo the architecture of 20th century mansions.

Excursions

Check out the tour schedule You can sign up by phone:

Also in the museum you can order an individual and group tour in Russian and foreign languages. More detailed information can be found on the website:

Ticket price and opening hours 2019

Ticket for excursions indicated in the museum timetable is worth 300 rubles.

Museum opening hours:

• Monday: 10.00 – 18.00
• Tuesday: 10.00 – 18.00
• Wednesday: 10.00 – 20.00
• Thursday - day off
• Friday: 10.00 – 20.00
• Saturday: 10.00 – 18.00
• Sunday: 10.00 – 18.00

Sanitary day- the last Monday of the month.

Where is

Address

st. Kuibysheva, 2-4

Metro

Gorkovskaya

How to get there

From Gorkovskaya metro station along Kronverksky prospect towards Kuibyshev street. You can enter from Kronverksky Prospekt.

Telephone

• 8 812-233-70-52
• 8 812-313-61-63

The State Museum of Political History of Russia is one of the best and most interesting museums in St. Petersburg. Many come here for the first time to visit the famous Kshesinskaya mansion, which houses the museum. And then they return again to exhibitions, meetings, lectures, each time finding something new for the mind and heart ...

History and general information

The museum's birthday is October 9, 1919, when the State Museum of the Revolution was established by decision of the Petrograd Soviet. The museum dedicated to the main event of the era was placed in the most significant place - in the Winter Palace, where it was located for more than a quarter of a century.

Representatives of various revolutionary parties dreamed about this museum, which was bound to appear in Russia long before the overthrow of tsarism. A kind of evidence of this is a unique exhibit, which is still present in the exposition today.

So, in 1907, the famous Tiflis affair thundered, which consisted in the successful “expropriation” of a very large sum for the needs of the Bolshevik Party. A dashing raid was made right under the windows of the headquarters of the military district along the way of transporting money by collectors from the postal station to the bank. The numbers of large bills in denominations of 500 rubles (there were 200 pieces) were known to the secret police. At a secret dacha in Finland, where they managed to send money, it was decided to redo their numbers, while one treasury ticket was damaged. It was placed in a bottle and buried to be preserved especially for the future museum. In the early 1930s, one of the participants in the action found a hiding place, took out the contents and, returning from a business trip abroad, handed over the rarity to the museum.

There are important dates in the history of the museum when it was about its very existence, but being on the verge and beyond the brink of survival, the museum was reborn every time.
The first post-war years turned out to be the most dramatic for the museum. The Winter Palace completely went to the Hermitage, a company of soldiers urgently packed the entire collection of the Museum of the Revolution in boxes and took it to and for storage.

During this period, events take place that are both sad and paradoxical: the collections, preserved with such difficulty during the years of Stalin's purges and under the bombardment in the blockade, are destroyed. According to museum veterans, who were young employees in those years, bonfires were burning in the courtyard of Petropavlovka, reminiscent of the times of the Inquisition or the Hitler putsch. According to the surviving records, for ideological reasons, more than 93,000 exhibits were burned, which were marked with the stamp “Permission to destroy”. The museum turns from historical and political into a museum of one party of the CPSU and one event - the October Revolution of 1917.

With the onset of the Khrushchev thaw, the revival of the museum is associated, but after ten years of neglect, it was so incredible that it gave rise to a number of anecdotes and funny stories. They say that on his next visit to Leningrad, after visiting the Kirov Plant, Nikita Sergeevich drove along Kirovsky Prospekt, and at the Kirovsky Bridge he was interested in a beautiful building - the Kshesinskaya mansion. When asked what was in it, the first secretary of the regional committee who accompanied him answered that it was the Kirov Museum. The state leader was terribly indignant that a real personality cult of Kirov had been bred, and ordered to be immediately sent to his former apartment, and to place a Museum of the Revolution in the mansion.

True or fiction, but in December 1954 it was decided to transfer two buildings (Kshesinskaya and Brandt mansions) to the disposal of the museum, and on November 5, 1957, its second birth took place - the museum called the State Museum of the Great October Socialist Revolution opened its doors to visitors .
In subsequent years, the museum loses its independence and becomes a branch of the Moscow Museum of the Revolution.

The museum owes its third birth to the changes that took place in the country during perestroika, the bold initiative of the leadership and the selfless work of the entire team. In August 1991, just a week before the GKChP coup, by order of the Ministry of Culture, the museum was given an independent status and a new name - the State Museum of Political History of Russia. The first exhibition in a new capacity was called “Democracy or Dictatorship? Political parties and power in Russia from autocracy to perestroika.

Location of the museum

Everyone knows the expression: Petrograd is the cradle of the Russian revolution. But not everyone knows or remembers that the cradle of the city on the Neva was by no means the Palace Embankment or Nevsky Prospekt, but the Petrograd side. From here, construction began in the time of Peter the Great, here was the residence of Peter the Great and the first central highway passed. In this context, the placement of the Museum of the Revolution in the Petrogradsky district of the Northern capital looks quite logical.

By the middle of the 18th century, the center of the capital moved to the left bank, and the area turned into the outskirts with its wooden houses resembled a county town, where the streets were overgrown with slush and mud in the off-season, and in the summer livestock walked along them.

The ban on the construction of enterprises in the center of the capital initiated the creation of large factories and factories on the Petrograd side. The industrial development of the region in the 19th century led to the emergence of scientific and cultural institutions, educational institutions. On the basis of the pharmaceutical garden, created by the decree of Peter I for the cultivation of medicinal plants, the Botanical Garden was established. The famous rollercoaster attraction and the Zoo, one of the northernmost zoos in the world, as well as the largest People's House, designed for cultural leisure of the general population, appeared in Alexander Park. The territory and living space are being improved - water supply and sewerage are being laid, a horse-drawn tram - "konka" - has been launched along the main avenue.

Architecture and history of the building

A real construction boom began after the opening of the Trinity Bridge in 1903, which connected the Petrograd side with the center. In the aristocratic and bourgeois circles of St. Petersburg, the area became a fashionable place for the construction of houses, very soon turning from a backwater into a respectable residential area.

One of the first on Bolshaya Dvoryanskaya Street (now Kuibysheva, 2) was the mansion of Matilda Feliksovna Kshesinskaya designed by architect A. I. von Gauguin, who was awarded a silver medal from the city authorities for this creation. Designed in the style of early northern modernity, reminiscent of rocky northern shores and medieval castles in color and shape, the mansion has a number of distinctive features. Its main entrance is hidden in a small courtyard behind a fence; the rhythm of window openings of various sizes is original and free.

A talented prima ballerina of the Mariinsky Theater, an intelligent and beautiful woman, being under the patronage of the persons of the imperial house, Kshesinskaya held receptions, balls, performances, concerts in her own palace. Luxurious interiors corresponded to the tastes of the hostess: the bedroom was made in the English style, the Russian Empire reigned in the large hall, the strict and restrained neoclassicism of the era of Louis XVI was reflected in the decoration of the salon.

Her closest neighbor was a successful entrepreneur, a hereditary honorary citizen, timber merchant Vasily Emmanuilovich Brant. The architect Robert-Friedrich Meltzer in 1911 completed the construction of a mansion for him on Bolshaya Dvoryanskaya Street (Kuibysheva, 4), mixing all fashionable styles: neoclassicism, modernity and symbolism. The building is richly decorated with high reliefs, cast iron and stained-glass windows - their authorship is attributed to the famous artist K. S. Petrov-Vodkin. The narrow side facade with an arch faces the street, the main part of the house is located in the garden and surrounded by a cast-iron fence, the pillars of which have an unusual decoration in the form of balls entwined with snakes.

After the February Revolution of 1917, the Bolsheviks settled in the Kshesinskaya mansion, the headquarters of V.I. Lenin was located here, he delivered his fiery speeches from the balcony, and his famous April theses were first heard in the White Hall. Brant's house was occupied by sailors guarding the Bolshevik headquarters from the junkers of the Provisional Government.

The ballerina left the country forever, in Paris she opened a ballet school and married Grand Duke Andrei Romanov. Having lived to almost 100 years old, she was laid to rest with her husband and son in the famous cemetery of Sainte-Genevieve-des-Bois. The Brant family left Petrograd in 1918 and their trace was lost.

In the Soviet years, these buildings housed various institutions, M. I. Kalinin, G. E. Zinoviev lived, there was a children's boarding school, since 1938, the museum of S. M. Kirov was located in the Kshesinskaya mansion.

The reconstruction of 1957 connected both mansions according to the project of the architect N. N. Nadezhin. A certain act of historical justice has been accomplished: the historical buildings, in which the turbulent events of the revolutionary years were in full swing, were taken over by the Museum of the Revolution. The office of V. I. Lenin and the room of the Secretariat of the Central Committee of the RSDLP (b) were restored in their original place and look the same as they did 100 years ago. The interiors of the front suite of the first floor have been recreated, giving an idea of ​​the splendor of the apartments of its first owner.

Exposition and attractions

A small part of the exposition and the thematic tour "Fouette of Fate" are dedicated to Kshesinskaya's life in this house, but, of course, the main permanent exhibitions: "Man and Power in Russia in the 19th-21st Centuries" and "The Soviet Era: Between Utopia and Reality" correspond purpose of the museum, and tell about the political history of Russia, as well as immerse in the atmosphere of those years.

Each century has its own calendar beginning, the era begins with an epochal event. Such significant milestones in the political history of Russia are December 1825 and February-October 1917, 1941-1945, the thaw of the 1960s and perestroika of the 1990s.

Moving from hall to hall - from era to era - one can trace the entire history of the transformation of the state and the change in the political system of the country.

The materials of the exhibitions tell how the socio-political movement was born and developed in Russia, how revolutionary and democratic parties were formed. The exposition will also tell a lot of interesting things about the fate of outstanding historical figures.

Almost all the political forces of modern Russia of the 21st century at the federal and regional levels are represented here. This meeting, unique in its breadth of coverage, reveals the activities of the leaders of various parties, members of the State Duma and the Russian Parliament.

The exhibitions are selected by subject, the information is presented in an easy-to-read form, supplemented by appropriate musical accompaniment.

The museum's collections contain almost half a million exhibits, while constantly replenished with new materials brought as a gift and collected during scientific expeditions.

The museum funds store photographs, fine arts, everyday life and clothes of statesmen, banners and awards, party documents and much more.

Of particular value are documentary monuments of long-gone events that captured the legislative activity of Catherine the Great, the reformist policy of Alexander II, the reforms of P. A. Stolypin and S. Yu. Witte, evidence of three Russian revolutions.

Having a huge amount of authentic historical materials, the creative team of the museum skillfully uses modern technologies and immerses visitors in the atmosphere of significant events for the state. The museum sees its mission in the formation of political culture in society.

Where is it located and how to get there

The Museum of Political History of Russia (former Museum of the Revolution) is located in the historical center of the city in the Petrogradsky district, along Kuibyshev Street, 2-4.

From the nearest metro station "Gorkovskaya" walk along Kronverksky Prospekt.

No less interesting are the branches of the museum:

On Gorokhovaya Street, 2, you can get acquainted with the history of the police and state security agencies of Russia. The most convenient way to get there is by metro. The nearest station - "Admiralteyskaya" is within walking distance, and the building itself is located opposite.

On Bolotnaya Street, 13 is the Children's Museum Center for Historical Education. The nearest metro station is Ploshchad Muzhestvo, from which you can walk for a few minutes along 2nd Murinsky Prospekt, and then turn right onto Bolotnaya Street.